<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom"><title>SUBLUNAR SPACE - mark fisher</title><link href="https://sublunar.space/" rel="alternate"/><link href="https://sublunar.space/feeds/tag-mark-fisher.atom.xml" rel="self"/><id>https://sublunar.space/</id><updated>2026-10-26T08:00:00+01:00</updated><entry><title>Acid Chthomunism</title><link href="https://sublunar.space/2026-10-acid-chthomunism.html" rel="alternate"/><published>2026-10-26T08:00:00+01:00</published><updated>2026-10-26T08:00:00+01:00</updated><author><name>T. F.</name></author><id>tag:sublunar.space,2026-10-26:/2026-10-acid-chthomunism.html</id><summary type="html">&lt;p&gt;&lt;em&gt;The final part where we emerge out of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and bottom-up process ontologies for the End Times.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and the Gnosis of Acid Communism. In the …&lt;/em&gt;&lt;/p&gt;</summary><content type="html">&lt;p&gt;&lt;em&gt;The final part where we emerge out of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and bottom-up process ontologies for the End Times.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and the Gnosis of Acid Communism. In the &lt;a href="/2025-08-outside-attractor.html"&gt;second part&lt;/a&gt; we pulled the red thread through digital acceleration and hypostitional collapse toward the pull of the Outside Attractor. In the &lt;a href="/2026-10-katabasis-19.html"&gt;third part&lt;/a&gt; we descended into the plague years and came back up with a direction. In the &lt;a href="/2026-10-hypogearchy.html"&gt;fourth part&lt;/a&gt; we dug through the solar empire, hit the ground, and gave it a name. Now it is Tuesday.&lt;/em&gt;&lt;sup id="fnref:cover-photo"&gt;&lt;a class="footnote-ref" href="#fn:cover-photo"&gt;1&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Enough with the overthinking, let's get our hands dirty...&lt;/p&gt;
&lt;h2 id="the-tuesday-problem"&gt;The Tuesday Problem&lt;/h2&gt;
&lt;p&gt;&lt;a href="/2026-10-hypogearchy.html#soil-horizons"&gt;Part four&lt;/a&gt; ended on a confession: an ontology does not tell you what to do on a Tuesday, the most average day of the week. That's how &lt;em&gt;the thing above&lt;/em&gt; likes its days. The Hong Kong based cybernetics philosopher Yuk Hui describes the machinery as "a reduction of the contingent to the most probable", and the contingent itself as "the least probable, or even the improbable".&lt;sup id="fnref:hui-probable"&gt;&lt;a class="footnote-ref" href="#fn:hui-probable"&gt;2&lt;/a&gt;&lt;/sup&gt; So here is a working definition for &lt;em&gt;this&lt;/em&gt; whole part: a ritual is a small improbable thing, done on purpose, on the most probable day.&lt;/p&gt;
&lt;p&gt;Yes, back to rituals! It's a magic blog, remember? During the dungeon crawl I came up with a few of them. Some tested, some not, others are things I already did and reframed. Most of the rites described here can be done as one-offs, but all of them are well suited for repetition. Do them as they suit you. Nothing in this part asks for more than a tired person has on a Tuesday.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Falling Down" src="/assets/images/falling_down.jpg" title="Falling Down (1993)" /&gt;&lt;/p&gt;
&lt;p&gt;Mark Fisher knew the catch: "The reason we feel overwhelmed is that we are overwhelmed."&lt;sup id="fnref:eg-hope"&gt;&lt;a class="footnote-ref" href="#fn:eg-hope"&gt;3&lt;/a&gt;&lt;/sup&gt; Let's not pretend that one person can fix anything. Fisher was clear about that too: "No individuals can change anything, not even themselves." These rites are done alone but never &lt;em&gt;for&lt;/em&gt; one. The one doing them is a &lt;em&gt;crowd&lt;/em&gt;, and the &lt;a href="#i-morning-roll"&gt;Morning Roll&lt;/a&gt; rite below counts it.&lt;/p&gt;
&lt;p&gt;Poet, philosopher, and psychologist Bayo Akomolafe wrote: "Most of us are caught in the habit of thinking of escape as a way towards the sacred."&lt;sup id="fnref:atmos"&gt;&lt;a class="footnote-ref" href="#fn:atmos"&gt;4&lt;/a&gt;&lt;/sup&gt; Which reminds me...before we begin, a few rules:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;None of what follows is supposed to be an &lt;em&gt;escape&lt;/em&gt;, nor a &lt;em&gt;strike&lt;/em&gt;, nor a &lt;em&gt;refusal&lt;/em&gt;. A boycott just feeds the thing you boycott. It's just Tuesday and we're going to do something &lt;em&gt;wyrd&lt;/em&gt; with it.&lt;/li&gt;
&lt;li&gt;None of what follows asks you to believe, join, or buy anything. Despite the PGM-heavy content you won't even need the heart of a hoopoe, a ball of dung rolled by a beetle, or the eye of a corpse that has died a violent death.&lt;sup id="fnref:pgm-shopping"&gt;&lt;a class="footnote-ref" href="#fn:pgm-shopping"&gt;69&lt;/a&gt;&lt;/sup&gt; I promise.&lt;/li&gt;
&lt;li&gt;The rites don't add up to a plan, and they don't pretend to.&lt;sup id="fnref:bratton"&gt;&lt;a class="footnote-ref" href="#fn:bratton"&gt;70&lt;/a&gt;&lt;/sup&gt; They are, as the famous archetypal psychologist James Hillman will tell us in a minute, &lt;em&gt;practiced&lt;/em&gt;, but not practical.&lt;/li&gt;
&lt;li&gt;The magical tradition has always borrowed shamelessly, and this blog is no exception. But borrowing from living traditions, or from knowledge others paid for with their bodies, demands more care. From the Anishinaabe Honorable Harvest and from Johanna Hedva's general strike of the sick, we borrow only the &lt;em&gt;shape&lt;/em&gt;, and say so. The decorations are still our own: circle, name, materia, the dead, "add the usual", but all turned upside down.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Three sections follow, one for each direction these rites point: the way &lt;em&gt;down&lt;/em&gt;, the thing &lt;em&gt;above&lt;/em&gt;, and the ground &lt;em&gt;below&lt;/em&gt;.&lt;/p&gt;
&lt;hr /&gt;
&lt;h2 id="the-way-down"&gt;The Way Down&lt;/h2&gt;
&lt;p&gt;The PGM are full of the underworld, but they mostly bully its dead up to the surface. Apart from PDM XII. 21-49, where a sick man speaks as Horus, who "went forth from the necropolis of Wen-nefer",&lt;sup id="fnref:de-pdm-horus"&gt;&lt;a class="footnote-ref" href="#fn:de-pdm-horus"&gt;5&lt;/a&gt;&lt;/sup&gt; there is only one spell in the papyri in which the sorcerer speaks of a first person descent into the underworld. You say it at a crossroads, and then you turn around and &lt;em&gt;run&lt;/em&gt;, because that is where &lt;em&gt;she&lt;/em&gt; appears...&lt;sup id="fnref:de-pgm-betz"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-betz"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have been initiated, and I went down into the underground chamber of the Dactyls, and I saw the other things down below, virgin, bitch, and all the rest.&lt;sup id="fnref:de-pgm-went-down"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-went-down"&gt;71&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;That is the whole credential: you have been &lt;em&gt;under&lt;/em&gt;, and you came back to tell it. Two more rules before we start.&lt;/p&gt;
&lt;p&gt;The first rule is James Hillman's. The guy who wrote the book on the dream and the underworld and then forbid us to use it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;To put the underworld into practice betrays the dream, which is not practical, as we have learned. We go through its exercises, not to become practical, but to become practiced.&lt;sup id="fnref:de-hillman-praxis"&gt;&lt;a class="footnote-ref" href="#fn:de-hillman-praxis"&gt;72&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The second rule is a warning from the Sibyl in Virgil's Aeneid. Aeneas asks her about the way down, and she answers:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Smooth the descent, and easy is the way:&lt;br /&gt;
But to return, and view the cheerful skies,&lt;br /&gt;
In this the task and mighty labour lies.&lt;sup id="fnref:de-aeneid"&gt;&lt;a class="footnote-ref" href="#fn:de-aeneid"&gt;73&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So every rite below ends with a way back. Don't skip it. A descent without a return is how you get &lt;em&gt;ghosts&lt;/em&gt;.&lt;/p&gt;
&lt;h3 id="i-season-of-dust"&gt;I. Season of Dust&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;It is a kind of mysticism that can only be expressed in the dust of this planet.&lt;sup id="fnref:de-thacker"&gt;&lt;a class="footnote-ref" href="#fn:de-thacker"&gt;74&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;(Proceed with caution depending on your level of dust mite allergy)&lt;/p&gt;
&lt;p&gt;Pick a surface you normally keep clean (if you do): a shelf, a plate, a window pane. Wipe it clean, snap a photo of it, and tell the people you live with to not touch it. That is the ritual for the next "season": you do &lt;em&gt;nothing&lt;/em&gt;. I know some of you will want to wipe it on day seven. Don't!&lt;/p&gt;
&lt;p&gt;Dust in homes is composed of about 20–50% dead skin cells.&lt;sup id="fnref:de-dust-skin"&gt;&lt;a class="footnote-ref" href="#fn:de-dust-skin"&gt;7&lt;/a&gt;&lt;/sup&gt; What about the rest? The artist Dane Mitchell has kept a &lt;em&gt;Dust Archive&lt;/em&gt; since 2003 and lists what turns up in it:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;from fungi to the bones of animals, bits of modern tire rubber, poisonous lead, long banned pesticides, dangerous molds and bacteria and countless micrograms of human skin."&lt;sup id="fnref:de-dust-mitchell"&gt;&lt;a class="footnote-ref" href="#fn:de-dust-mitchell"&gt;75&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This is the &lt;em&gt;dust to dust&lt;/em&gt; of part four, made visible. Even the things above us are held up by it: a cloud, says theologian Catherine Keller, is billions of droplets and crystals, "each folded around a bit of dust".&lt;sup id="fnref:de-cloud"&gt;&lt;a class="footnote-ref" href="#fn:de-cloud"&gt;8&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;While the surface in your home collects dust, you also need to collect dust. Whenever you visit a grave, a ruin, a threshold, any place that fits this series, brush the dust off your shoes into a container, like an envelope or a jar. PGM VII. 478-90 opens a dream request with exactly this: "dirt from your sandal."&lt;sup id="fnref:de-pgm-sandal"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-sandal"&gt;9&lt;/a&gt;&lt;/sup&gt; One pinch per place, but don't take from a protected or sacred site, or from a grave without asking.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Dust" src="/assets/images/dust.jpg" title="Dust" /&gt;&lt;/p&gt;
&lt;p&gt;On the last evening, snap the surface again and zoom in. The original spell burns the sandal dirt with resin and a white dove's droppings, as an offering to the Bear. You can do anything between that and passing the container through incense smoke. Say:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Send up to me tonight the daimon of this night, to tell me what the dust knows. I have kept this for a season and I give it back.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Then go to bed on freshly made sheets, the closest you will get to "a newly made bed of rushes." When you wake up and had a dream write it down before you speak to anyone.&lt;/p&gt;
&lt;p&gt;Now give the dust back. Scatter it at a doorstep or a gate, or into the soil of a pot, and say:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Dust you are and dust you were. Return.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wipe the surface once with a damp cloth and rinse the cloth outdoors. The wipe is the way back, as the Sibyl asked. Don't ever expect to win against the dust: "Resistance to decay is both futile and fertile."&lt;sup id="fnref:de-futile"&gt;&lt;a class="footnote-ref" href="#fn:de-futile"&gt;10&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;h3 id="ii-dead-letter"&gt;II. Dead Letter&lt;/h3&gt;
&lt;p&gt;In ancient Kemet people left letters to the dead in tombs. The Anastasi handbooks are witness to one: a man called Neilammon addresses the daimon of a deceased person as "image of the gods" and says that he knows "the necessity of death which has happened in your case".&lt;sup id="fnref:de-pgm-letter"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-letter"&gt;11&lt;/a&gt;&lt;/sup&gt; Then he asks for his accusers "be ill for their whole life".&lt;/p&gt;
&lt;p&gt;I don't know about your personal curse needs, but let's just try to keep this one nice, shall we? Pick one of your dead, someone you knew or an ancestor you only know by name. Write them a letter by hand, on paper. Say that you know what has happened. Ask to be heard. Tell them what has happened since their time, briefly, like you would tell a random neighbour over the fence. Ask one question and then make a promise: pick something they did, or might have done, a dish, a walk, a phrase, the way they folded a towel (?), and promise to keep doing that exact thing on a regular schedule. Read the letter aloud at the grave, or beside one candle if there is no grave to go to. &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Daimon of the dead, [Name], image of the gods: I know what has happened. Hear me, and not them. I will [promise]. Now return to your own place. I thank you.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Then bury it in the earth of the grave or the soil of a plant. Put the promise with a date in your calendar. Then &lt;em&gt;wash your hands&lt;/em&gt;, eat something, and on the date in your calendar, do the thing.&lt;/p&gt;
&lt;p&gt;Belgian philosopher Vinciane Despret, who studies how people mourn, says that a memorial works when it holds "open actual space for ongoing living and working in the face of threatened absence", which she calls commemoration as &lt;em&gt;prolonging actively&lt;/em&gt;.&lt;sup id="fnref:de-despret"&gt;&lt;a class="footnote-ref" href="#fn:de-despret"&gt;12&lt;/a&gt;&lt;/sup&gt; The opposite of a monument where the dead stand still is a ritual habit where they &lt;em&gt;keep walking&lt;/em&gt;.&lt;/p&gt;
&lt;h3 id="iii-the-cold"&gt;III. The Cold&lt;/h3&gt;
&lt;p&gt;There are two ways down, Hillman says. The &lt;em&gt;night sea journey&lt;/em&gt; builds heat inside the hero and brings him back in better shape for the tasks of life. The &lt;em&gt;nekyia&lt;/em&gt;, the descent to the dead, takes the soul into a depth for its own sake where it goes "to a zone of utter coldness" and has no return in that sense.&lt;sup id="fnref:de-hillman-ice"&gt;&lt;a class="footnote-ref" href="#fn:de-hillman-ice"&gt;13&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In the morning fill a cup with water and put it in a dark place: the basement, a cupboard, under the sink. PDM xiv. 395-427 calls this water "which the sun cannot find" and uses it for the dead.&lt;sup id="fnref:de-pgm-water"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-water"&gt;14&lt;/a&gt;&lt;/sup&gt; After dark take the cup outside. Deliberately wear a little less than you need, enough to feel the cold. This is a good season for it. Stand still for 10 whole minutes.&lt;/p&gt;
&lt;p&gt;Pour the water out onto the ground for the dead. The old formula hopes for them &lt;em&gt;in refrigerio et in pace&lt;/em&gt;, in coolness and in peace.&lt;sup id="fnref2:de-hillman-ice"&gt;&lt;a class="footnote-ref" href="#fn:de-hillman-ice"&gt;13&lt;/a&gt;&lt;/sup&gt; Then say a real betrayal out loud, in simple words, one you would rather disown:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;This water has never seen the sun. I give it to the cold ones. I have betrayed [X]. I do not ask to be forgiven. I stand here.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Hillman: "We can meet Cain, Judas, and Lucifer by being aware of our own desires to be false and to betray."&lt;sup id="fnref3:de-hillman-ice"&gt;&lt;a class="footnote-ref" href="#fn:de-hillman-ice"&gt;13&lt;/a&gt;&lt;/sup&gt; This is not about excuse, resolution, or forgiveness. The &lt;em&gt;zone of coldness&lt;/em&gt; is where things are not made better.&lt;/p&gt;
&lt;p&gt;Just stand there until the time has passed. Then go in and warm up. Don't carry the betrayal in as a lesson.&lt;/p&gt;
&lt;h3 id="iv-the-zone"&gt;IV. The Zone&lt;/h3&gt;
&lt;p&gt;The &lt;em&gt;zone&lt;/em&gt; is the place you would never go to. This blog has been walking into it since 2019, by &lt;a href="/2019-05-quantum-geomancy.html"&gt;quantum geomancy&lt;/a&gt; aka. randonauting: you let a random number generator pick a coordinate near you and go there, whatever is there.&lt;/p&gt;
&lt;p&gt;Every day is planned from above, by habit and by the map. Yuk Hui's walk to the café for his morning coffee is what Aristotle called &lt;em&gt;automaton&lt;/em&gt;, running into the friend who still owes him money is &lt;em&gt;tyche&lt;/em&gt;, chance.&lt;sup id="fnref:de-tyche"&gt;&lt;a class="footnote-ref" href="#fn:de-tyche"&gt;15&lt;/a&gt;&lt;/sup&gt; The random point is a dose of &lt;em&gt;tyche&lt;/em&gt; taken on purpose. It comes from below, out of the noise, which anthropologist and cyberneticist Gregory Bateson called "the only possible source of new patterns".&lt;sup id="fnref:de-noise"&gt;&lt;a class="footnote-ref" href="#fn:de-noise"&gt;16&lt;/a&gt;&lt;/sup&gt; &lt;/p&gt;
&lt;p&gt;Get a point within walking distance. The &lt;a href="https://randonautica.app"&gt;original app&lt;/a&gt; will do it as well as dice or coin tosses deciding on your next turn. Before you set off, say Leibniz's question out loud: &lt;em&gt;dic cur hic&lt;/em&gt;, "Say, why here?" Philosopher Isabelle Stengers turns it into a practice: &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Slow down, let yourself be affected by the hic, this situation to which you are about to respond or react in this way.&lt;sup id="fnref:de-hic"&gt;&lt;a class="footnote-ref" href="#fn:de-hic"&gt;76&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;When you arrive, greet the place before you do anything else. David Abram, with whom this blog &lt;a href="/2020-05-placeness-1-unplaces.html#spirit-of-place"&gt;has walked before&lt;/a&gt;, says that "each land has its own psyche, its own style of sentience".&lt;sup id="fnref:de-abram"&gt;&lt;a class="footnote-ref" href="#fn:de-abram"&gt;17&lt;/a&gt;&lt;/sup&gt; So introduce yourself to it. Name what feeds it: a river, a drain, a road, a bus line. Say how you came. Ask if you may stay.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I came here by chance and on foot. I am [NN]. Whatever feeds you, I greet it. May I stay a while?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Then look for what is off. A hatch, a stain, a void, a path leading nowhere, a smell. In Reza Negarestani's theory-fiction, "every hole in the story indicates a gate".&lt;sup id="fnref:de-anomaly"&gt;&lt;a class="footnote-ref" href="#fn:de-anomaly"&gt;18&lt;/a&gt;&lt;/sup&gt; Follow the &lt;em&gt;wrongness&lt;/em&gt; down as far as you are allowed, but do not trespass and do not break anything open. And draw no conclusions.&lt;sup id="fnref:de-apophenia"&gt;&lt;a class="footnote-ref" href="#fn:de-apophenia"&gt;19&lt;/a&gt;&lt;/sup&gt; You are there to be &lt;em&gt;affected&lt;/em&gt; by the place, not to decide what it means.&lt;/p&gt;
&lt;p&gt;&lt;img alt="The Upside Down" src="/assets/images/upsidedown.jpg" title="Entering the Upside Down" /&gt;&lt;/p&gt;
&lt;p&gt;Before you leave, stamp once on the ground with your foot to send a message downward, to the ones below.&lt;sup id="fnref:de-pgm-stamp"&gt;&lt;a class="footnote-ref" href="#fn:de-pgm-stamp"&gt;20&lt;/a&gt;&lt;/sup&gt; Say thank you as you stamp. Then ask &lt;em&gt;dic cur hic&lt;/em&gt; again, at the edge of the place, and answer it this time. Go home by a different route,&lt;sup id="fnref:de-rediculus"&gt;&lt;a class="footnote-ref" href="#fn:de-rediculus"&gt;21&lt;/a&gt;&lt;/sup&gt; and tell someone what you found.&lt;/p&gt;
&lt;h3 id="v-the-day-under"&gt;V. The Day Under&lt;/h3&gt;
&lt;p&gt;When the pandemic sent everyone home, the artist and astrologer Johanna Hedva pointed out that "the world's ableism has always been a thing, it's just now getting closer to those who normally don't feel it". &lt;em&gt;Take to the streets&lt;/em&gt;, as writer and researcher Elisa Adami sums Hedva up, "will always exclude those bodies who are too sick to get out of bed". Their revolution is a different one: "a general strike: stay at home, refuse to work, refuse to go to school, refuse to shop, refuse to pay rent."&lt;sup id="fnref:ch-hedva"&gt;&lt;a class="footnote-ref" href="#fn:ch-hedva"&gt;22&lt;/a&gt;&lt;/sup&gt; Adami adds in a footnote that "the right to refuse is also based on privilege".&lt;sup id="fnref2:ch-hedva"&gt;&lt;a class="footnote-ref" href="#fn:ch-hedva"&gt;22&lt;/a&gt;&lt;/sup&gt; This rite joins their strike for one day, from a bed we can still leave.&lt;/p&gt;
&lt;p&gt;Taken on purpose, a day in bed is a small katabasis: you choose to go down, and you know you will come back up. Down there time stands still. The Greeks avoided the name of the god of that timeless place and called him &lt;em&gt;Plouton&lt;/em&gt;, wealth, because it is from there that all gifts emerge.&lt;sup id="fnref:ch-hades"&gt;&lt;a class="footnote-ref" href="#fn:ch-hades"&gt;23&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Choose a day, or even better: let the papyri choose it for you. PGM VII. 155-67 is a calendar of the thirty days of the moon, with the hours when divination may be done and a list of days when it may not:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;the 3rd, the 6th, the 9th, the 16th, the 17th and the 25th.&lt;sup id="fnref:ch-pgm-days"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-days"&gt;77&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Take the next one. Then stay in bed. That is the whole rite.&lt;/p&gt;
&lt;p&gt;The hard part is the clock in your head, keeping score the moment you lie down. The dominant reading of any time not spent producing, researcher Alexandre Baril writes, is &lt;em&gt;wasted&lt;/em&gt; time, "slow and unproductive and not living up to the norm".&lt;sup id="fnref:ch-baril"&gt;&lt;a class="footnote-ref" href="#fn:ch-baril"&gt;24&lt;/a&gt;&lt;/sup&gt; Refuse this. Do not book the day as a loss, do not make it up, and please do not call it "self-care!"&lt;/p&gt;
&lt;p&gt;Open the day with a release formula: &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Let every bond be loosed, every force fail, let all iron be broken, every rope or every strap, let every knot, every chain be opened, and let no one compel me, for I am &lt;NN&gt;&lt;sup id="fnref:ch-pgm-bonds"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-bonds"&gt;78&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If you do the strike on a day you were supposed to be at the office and fear a superior will notice, add this part from PDM xiv. 451-58, seven times: &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I am carrying the mummy of Osiris, and I go to take it to Abydos, to take it to Tastai, and to bury it at Alkhah. If he, NN, causes me trouble, I will throw the mummy at him.&lt;sup id="fnref:ch-pgm-mummy"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-mummy"&gt;79&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The rite ends the next morning, and getting up is part of it: this is the way back the Sibyl asked for. Before you do anything else, put your feet on the ground and say:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I have been initiated, and I went down ... and I saw the other things down below.&lt;sup id="fnref:ch-pgm-ereschigal"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-ereschigal"&gt;80&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;hr /&gt;
&lt;h2 id="the-thing-above"&gt;The Thing Above&lt;/h2&gt;
&lt;p&gt;In &lt;a href="/2025-08-outside-attractor.html#refutation-of-all-heresies"&gt;part two&lt;/a&gt; I called capitalism an &lt;em&gt;artificial egregore&lt;/em&gt;, run and maintained "by mere &lt;em&gt;humans&lt;/em&gt;, powerful but not at all omnipotent, with flaws, holes, and predictable patterns." In &lt;a href="/2026-10-hypogearchy.html#dust-to-dust"&gt;part four&lt;/a&gt; the same mechanism turned up at every scale, the mere human included: a &lt;em&gt;we&lt;/em&gt; that feels its way into an &lt;em&gt;I&lt;/em&gt; every morning.&lt;/p&gt;
&lt;p&gt;Here is the good news: anything that only exists because someone keeps &lt;em&gt;feeding&lt;/em&gt; it has soft spots, and they are always the same three: what it &lt;em&gt;eats&lt;/em&gt;, when it &lt;em&gt;feeds&lt;/em&gt;, and the moment it &lt;em&gt;pulls&lt;/em&gt; at you. The first two rites below target exactly those. The point is not &lt;em&gt;defeat&lt;/em&gt; but to stop &lt;em&gt;holding it up&lt;/em&gt;. Just don't forget what's holding &lt;em&gt;you&lt;/em&gt; up.&lt;/p&gt;
&lt;p&gt;&lt;img alt="hmkay" src="/assets/images/hmkay.jpg" title="Office Space (1999)" /&gt;&lt;/p&gt;
&lt;p&gt;Mark Fisher, who had no time for hope, put it like this: "what we need is confidence and the capacity to act."&lt;sup id="fnref2:eg-hope"&gt;&lt;a class="footnote-ref" href="#fn:eg-hope"&gt;3&lt;/a&gt;&lt;/sup&gt; That's what these rites are meant to grow, slowly, to change how you stand toward the &lt;em&gt;thing above&lt;/em&gt;.&lt;/p&gt;
&lt;h3 id="i-grimoire"&gt;I. Grimoire&lt;/h3&gt;
&lt;p&gt;A grimoire is mostly a list of habits: what a spirit looks like, what it eats, which hour belongs to it, what sends it away.&lt;sup id="fnref:eg-brazier"&gt;&lt;a class="footnote-ref" href="#fn:eg-brazier"&gt;25&lt;/a&gt;&lt;/sup&gt; The PGM keeps one for Hermes in a spell for favour and sustenance, which ends with a little olive-wood baboon of the god set up "in the middle of the workshop". It reads like a field guide:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I also know what your forms are: in the east you have the form of an ibis, in the west you have the form of a dog-faced baboon, in the north you have the form of a serpent, and in the south you have the form of a wolf. Your plant is the grape which is the olive.&lt;sup id="fnref:eg-pgm-hermes"&gt;&lt;a class="footnote-ref" href="#fn:eg-pgm-hermes"&gt;81&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Write one like this for the &lt;em&gt;thing above you&lt;/em&gt;. Don't start with &lt;em&gt;capitalism&lt;/em&gt;, pick one of its organs, the one whose notifications you answer: the one social platform you're mostly hooked on, or your landlord, employer, the bank.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Its forms: how it looks at work, at home, on the phone, in the news. &lt;/li&gt;
&lt;li&gt;What it eats: attention, rent, data, time. &lt;/li&gt;
&lt;li&gt;What it promises you in return, and what you were actually after: rest, company, entertainment, safety.&lt;/li&gt;
&lt;li&gt;When it feeds: the hour the notifications come. What it fears: the day you did not log in. What sends it away.&lt;/li&gt;
&lt;li&gt;Add the name it goes by&lt;sup id="fnref:eg-unname"&gt;&lt;a class="footnote-ref" href="#fn:eg-unname"&gt;82&lt;/a&gt;&lt;/sup&gt;, "the App", "the Market", "the Public Office".&lt;/li&gt;
&lt;li&gt;Then, its &lt;em&gt;true&lt;/em&gt; name: the legal entity, the address, the people who own it.&lt;sup id="fnref:eg-oil"&gt;&lt;a class="footnote-ref" href="#fn:eg-oil"&gt;83&lt;/a&gt;&lt;/sup&gt;&lt;sup id="fnref3:eg-hope"&gt;&lt;a class="footnote-ref" href="#fn:eg-hope"&gt;3&lt;/a&gt;&lt;/sup&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;PGM LXXIX. 1-7 does this in a single sentence, a charm spoken three times: 
"I am the soul of darkness, ABRASAX, the eternal one, Michael, but my true name is THOOUTH, THOOUTH."&lt;sup id="fnref:eg-pgm-true-name"&gt;&lt;a class="footnote-ref" href="#fn:eg-pgm-true-name"&gt;26&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;If the thing seems to not have a shape at all, simply name what it came &lt;em&gt;out of&lt;/em&gt;. A Demotic spell wakes a mummy-spirit by calling it after the primeval waters: "'great image of Nun' is your true name."&lt;sup id="fnref:eg-pdm-nun"&gt;&lt;a class="footnote-ref" href="#fn:eg-pdm-nun"&gt;27&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Now read the whole entry aloud once, to the thing itself: to the screen, mailbox, building. Say the true name three times, somewhere it can be heard.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I know your forms. In the morning you are [X], at night you are [Y]. You eat [my hours]. You promise me [rest]. Your hour is [8:15]. You are called [the Platform]. Your true name is [company], owned by [names]. I know you, and now you know that I know.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Keep the page. And ask one thing of the two names: what can you do with the true one that you couldn't do with the first? A name is something you can act on and that's where Fisher's confidence begins.&lt;/p&gt;
&lt;h3 id="ii-morning-song"&gt;II. Morning Song&lt;/h3&gt;
&lt;p&gt;There is a PGM spell for making a place prosper.&lt;sup id="fnref:eg-pgm-statue"&gt;&lt;a class="footnote-ref" href="#fn:eg-pgm-statue"&gt;28&lt;/a&gt;&lt;/sup&gt; You mould a three-headed statue out of wax, wrap it like Osiris, house it in a little temple of juniper wood at moonrise, and feast with it all night, "singing to him all night long the names written on the strip". Then, every day after: "sing the same spell when you get up in the morning, before you open [your shop or temple]." Read from below, that is &lt;a href="/2025-08-outside-attractor.html#refutation-of-all-heresies"&gt;part two&lt;/a&gt;'s argument but written hundreds of years ago: the thing keeps going because somebody sings to it every morning.&lt;/p&gt;
&lt;p&gt;Watch your own mornings and find your own "morning song": what's the first thing you do for a &lt;em&gt;thing above&lt;/em&gt;, before you have done anything for &lt;em&gt;yourself&lt;/em&gt;? The first app, the first swipe, the first message you send. It may be the one from your &lt;a href="#i-grimoire"&gt;grimoire&lt;/a&gt;. Often it's another one. Who is that first song usually for?&lt;/p&gt;
&lt;p&gt;Pick a timeframe, a week or a month, and do &lt;em&gt;not&lt;/em&gt; sing it. Do not announce it. A thing that lives on your attention also feeds on your boycott.&lt;sup id="fnref:eg-boycott"&gt;&lt;a class="footnote-ref" href="#fn:eg-boycott"&gt;29&lt;/a&gt;&lt;/sup&gt; Simply state:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I did not sing to you this morning. You will have to feed yourself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Keep a record: one stroke for every unsung morning. Note what died because you did not sing, and what survived. What surprised me was how short the list was. YMMV, but I doubt it. More importantly, notice what filled the gap. Old habits rarely leave an empty space for long.&lt;/p&gt;
&lt;p&gt;The thing above will still pull at you during the day: the thumb on the app at the bus stop, the reply at eleven at night. For those moments, keep one line by heart, an &lt;a href="/2019-12-theoria.html#words-of-power"&gt;arrow prayer or word of power&lt;/a&gt;, your own. Say it under your breath before you act. It won't stop the pull, but it gives you a moment to breathe and choose what comes next.&lt;sup id="fnref:eg-improbable"&gt;&lt;a class="footnote-ref" href="#fn:eg-improbable"&gt;30&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;h3 id="iii-the-evening-turn"&gt;III. The Evening Turn&lt;/h3&gt;
&lt;p&gt;A cornerstone of the western magical tradition is a timetable: it tells you which &lt;a href="/2018-05-rehoboams-cheat-sheet.html"&gt;planetary days&lt;/a&gt; or days of the moon to use and which to leave alone, gives every hour of the day its animal or demon, and sometimes even names a fever by the hour it arrives.&lt;/p&gt;
&lt;p&gt;The oldest clock is the sun. A clock is a &lt;em&gt;solar&lt;/em&gt; instrument of power. The church has used it since the 14th century, railways and factories since the 19th. And since roughly 2010 it's the thing in your pocket that counts your &lt;em&gt;streak&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;At sunset, turn around, look &lt;em&gt;away&lt;/em&gt; from the sun. Remember with quantum physicist Carlo Rovelli that "it's not the sun that's moving but the Earth that's spinning", and see "our entire planet, and ourselves with it, rotating backward, away from the sun".&lt;sup id="fnref:ch-sunset"&gt;&lt;a class="footnote-ref" href="#fn:ch-sunset"&gt;31&lt;/a&gt;&lt;/sup&gt; This is the daily exercise: the day did not end because the light left, it ended because the ground you stand on turned its back.&lt;/p&gt;
&lt;p&gt;Speak as Geb, the earth, watching his father's solar boat from the ground:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Let me see the bark of Phre, he going up and going down in it, for I am Geb, heir of the gods.
I am the opener of earth, who came forth from Geb. Hail!&lt;sup id="fnref:ch-pgm-geb"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-geb"&gt;84&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Stand as the &lt;em&gt;ground&lt;/em&gt; at sunset. You are what stays put while the boat goes by. In a reversal of PGM XIII. 824-34&lt;sup id="fnref:ch-pgm-vowels"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-vowels"&gt;32&lt;/a&gt;&lt;/sup&gt; do the following:&lt;/p&gt;
&lt;p&gt;Facing East, away from the setting sun:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Both hands on your head, inhale deeply and for a full outbreath vibrate "Ō", for Saturn. Gather the day's thoughts.&lt;/li&gt;
&lt;li&gt;Hand on your heart, inhale deeply and for a full outbreath vibrate "Ü", for Jupiter. What you felt.&lt;/li&gt;
&lt;li&gt;Both hands on your stomach, inhale deeply and for a full outbreath vibrate "O", for Mars. What you took in.&lt;/li&gt;
&lt;li&gt;Turn and face South, lifting both arms wide, palms up, inhale deeply and for a full outbreath vibrate "I", for the Sun. The day at its full height.&lt;/li&gt;
&lt;li&gt;Turn and face West, toward the setting sun, holding both hands out in front of you, palms up, inhale deeply and for a full outbreath vibrate "Ē", for Venus. Offer it to the passing sun.&lt;/li&gt;
&lt;li&gt;Turn your palms outward and push gently away from you, inhale deeply and for a full outbreath vibrate "E", for Mercury. Send it on.&lt;/li&gt;
&lt;li&gt;Turn and face North, bend over to the earth, touching the ends of your toes, inhale deeply and for a full outbreath vibrate "A", for the Moon. Stay there. Set it down.&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;img alt="Poses" src="/assets/images/poses.png" /&gt;&lt;/p&gt;
&lt;p&gt;Then come up slowly and say, with Horace, &lt;em&gt;Today I have lived&lt;/em&gt;.&lt;sup id="fnref:ch-horace"&gt;&lt;a class="footnote-ref" href="#fn:ch-horace"&gt;33&lt;/a&gt;&lt;/sup&gt; Then sing something, anything. A held vowel or hummed melody will do, too. A song, Augustine noticed, is how we know time at all. Rovelli goes further and says it &lt;em&gt;is&lt;/em&gt; time.&lt;sup id="fnref:ch-song"&gt;&lt;a class="footnote-ref" href="#fn:ch-song"&gt;34&lt;/a&gt;&lt;/sup&gt; &lt;/p&gt;
&lt;p&gt;When your song is over, do what the sorcerer does when the gods rush in: put a finger to your lips and say "Silence! Silence! Silence!"&lt;sup id="fnref:ch-pgm-silence3"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-silence3"&gt;35&lt;/a&gt;&lt;/sup&gt; The silence after the song is where the day completes. A day closed this way is a finished occasion. It does not roll over into tomorrow's count.&lt;/p&gt;
&lt;p&gt;Some traditions never let the sun start the day. "There was evening and there was morning, one day", says Genesis, and the Jewish day begins when the sun has gone. Athens counted from sunset to sunset, and the Gauls counted nights, not days.&lt;sup id="fnref:ch-day-sunset"&gt;&lt;a class="footnote-ref" href="#fn:ch-day-sunset"&gt;36&lt;/a&gt;&lt;/sup&gt; The day begins in the dark, underneath. What you just did is both the end of a day and the first act of the next.&lt;/p&gt;
&lt;hr /&gt;
&lt;h2 id="the-ground-below"&gt;The Ground Below&lt;/h2&gt;
&lt;p&gt;PGM VII. contains a page of "table gimmicks" for a host who wants to show off: eggs that look like apples, a trick to stop the cook lighting the stove, and this one: "To make bronzeware look like it's made of gold: Mix native sulfur with chalky soil and wipe it off."&lt;sup id="fnref:al-pgm-gold"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-gold"&gt;37&lt;/a&gt;&lt;/sup&gt; With a straight face, Betz's footnote crowns it as the moment that "shows the beginnings of alchemy". The old alchemists would have caught it with a drop of &lt;em&gt;acid&lt;/em&gt;. Isabelle Stengers: "gold is what resists all acids, with the exception, since the eighteenth century, of aqua regia." That is where the &lt;em&gt;acid test&lt;/em&gt; gets its name from.&lt;sup id="fnref:al-gold"&gt;&lt;a class="footnote-ref" href="#fn:al-gold"&gt;38&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;This section works the other way round: on what &lt;em&gt;yields&lt;/em&gt;. Put a bit of chalk or limestone in a saucer and pour some vinegar over it. It fizzes. Limestone is made of shells and skeletons, and that is the lives it began with, going back into the air. This is the &lt;em&gt;acid&lt;/em&gt; in the sense &lt;a href="/2026-10-hypogearchy.html#soil-horizons"&gt;part four&lt;/a&gt; uses it.&lt;/p&gt;
&lt;h3 id="i-morning-roll"&gt;I. Morning Roll&lt;/h3&gt;
&lt;p&gt;So far we talked about &lt;em&gt;the thing above&lt;/em&gt;, out there. Now let's turn it around. &lt;a href="/2026-10-hypogearchy.html#dust-to-dust"&gt;Part four&lt;/a&gt; found that you are an egregore too: a &lt;em&gt;we&lt;/em&gt; "of cells, microbes and perished moments. The French Martinist Robert Ambelain wrote that whoever joins an egregore "becomes one of its constitutive cells".&lt;sup id="fnref:eg-ambelain"&gt;&lt;a class="footnote-ref" href="#fn:eg-ambelain"&gt;39&lt;/a&gt;&lt;/sup&gt; Turn that around: to the crowd below you, &lt;em&gt;you&lt;/em&gt; are &lt;em&gt;the thing above&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;If you cut the wing off a fruit fly, keep it in the dark, it will go on glowing to a 24h beat for days, with no brain to tell it to.&lt;sup id="fnref:ch-organ"&gt;&lt;a class="footnote-ref" href="#fn:ch-organ"&gt;40&lt;/a&gt;&lt;/sup&gt; Your liver has its own clock, so do your pancreas and your muscles, and the gazillions of bacteria in your gut change shifts while you sleep: you go to bed with a whole civilization and wake up with another.&lt;sup id="fnref:ch-gut"&gt;&lt;a class="footnote-ref" href="#fn:ch-gut"&gt;41&lt;/a&gt;&lt;/sup&gt; None of these clocks are synced to the dial on the wall or the stars in the sky. They only read: &lt;em&gt;food&lt;/em&gt;.&lt;sup id="fnref:ch-bite"&gt;&lt;a class="footnote-ref" href="#fn:ch-bite"&gt;42&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Begin before the first bite and the first word. The magical papyri wrap a working in two silences: you rise and speak to no one until you have said your piece, and you go to sleep "without speaking to anyone".&lt;sup id="fnref:ch-pgm-silence"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-silence"&gt;43&lt;/a&gt;&lt;/sup&gt; The Mithras Liturgy, which this blog has &lt;a href="/2019-08-katharsis.html#apotheosis-of-the-elemental-body"&gt;worked with before&lt;/a&gt;, opens with a greeting to the operator's own composition:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Spirit of the spirit, fire in the fire of me ĒYĒIAEĒ; Water of the water in me, O O O A A A E E E; First earthly essence of the earthly essence in me, YĒYŌĒ; Perfect Body of me.&lt;sup id="fnref:ch-pgm-mithras"&gt;&lt;a class="footnote-ref" href="#fn:ch-pgm-mithras"&gt;85&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Then greet the rest of your company. Not your literal organs but &lt;em&gt;constituencies&lt;/em&gt;: the microbes in your gut, the cells that died in the night, the dead whose words will come out of your mouth today, the hours that have already perished into you, the places you stood, the stone of the walls around you, which, if it is limestone, "begins with lives over".&lt;sup id="fnref:eg-limestone"&gt;&lt;a class="footnote-ref" href="#fn:eg-limestone"&gt;44&lt;/a&gt;&lt;/sup&gt; Donna Haraway's favourite example of a body is a microbe in the gut of an Australian termite, &lt;em&gt;Mixotricha paradoxa&lt;/em&gt;, which "is not one, not five, not several hundred thousand, but a poster critter for holobionts."&lt;sup id="fnref:eg-holobiont"&gt;&lt;a class="footnote-ref" href="#fn:eg-holobiont"&gt;45&lt;/a&gt;&lt;/sup&gt; The same counts for &lt;em&gt;you&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;A broken Coptic litany has the grammar for it: "I am Kat son of Kat, whom Kat has borne... I am the [breath] of night."&lt;sup id="fnref:eg-pgm-i-am"&gt;&lt;a class="footnote-ref" href="#fn:eg-pgm-i-am"&gt;46&lt;/a&gt;&lt;/sup&gt; There the speaker claims to be a god. Here the same grammar names what holds you up from below, so that your name comes at the end:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I am the ground, whom the dead have borne. I am the gut, whom the ground has borne. I am the dead, whom the living have borne. I am today, whom yesterday has borne. And my name is [NN].
'Hearing' is my name; 'hearing' is my correct name.&lt;sup id="fnref:eg-pdm-hearing"&gt;&lt;a class="footnote-ref" href="#fn:eg-pdm-hearing"&gt;86&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Let the first bite open the day and the last bite close it. Everything after the last bite belongs to the night, and the night belongs to the cells, who use the fast to take out the trash, digesting their own damaged parts and recycling them,&lt;sup id="fnref:ch-autophagy"&gt;&lt;a class="footnote-ref" href="#fn:ch-autophagy"&gt;47&lt;/a&gt;&lt;/sup&gt; the &lt;em&gt;dust to dust&lt;/em&gt; of &lt;a href="/2026-10-hypogearchy.html#dust-to-dust"&gt;part four&lt;/a&gt;. When the body asks for sleep in the afternoon, give in to it.&lt;sup id="fnref:ch-nap"&gt;&lt;a class="footnote-ref" href="#fn:ch-nap"&gt;48&lt;/a&gt;&lt;/sup&gt; An &lt;em&gt;hour&lt;/em&gt; was a season before it was a 24th of a day: the Greek &lt;em&gt;Horai&lt;/em&gt;, the Hours, were goddesses of budding and ripening, dancing in a circle.&lt;sup id="fnref:ch-horae"&gt;&lt;a class="footnote-ref" href="#fn:ch-horae"&gt;49&lt;/a&gt;&lt;/sup&gt; And when you sleep, the crowd takes the night shift. "Sleepers are workers," says Heraclitus.&lt;sup id="fnref:eg-sleepers"&gt;&lt;a class="footnote-ref" href="#fn:eg-sleepers"&gt;50&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;h3 id="ii-the-shrinking-word"&gt;II. The Shrinking Word&lt;/h3&gt;
&lt;p&gt;Among the PGM amulets there is one that is just a Greek word for a throat complaint, written out fourteen times, losing its first letter on every line, "cutting the uvula / utting the uvula / tting the uvula", down to "la", down to "a".&lt;sup id="fnref:al-pgm-wing"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-wing"&gt;51&lt;/a&gt;&lt;/sup&gt; The illness is eaten away letter by letter on the page until perishes.&lt;/p&gt;
&lt;p&gt;Write the name of something you are &lt;em&gt;done&lt;/em&gt; with at the top of a sheet of paper. Not a person. The &lt;a href="#ii-dead-letter"&gt;Letter&lt;/a&gt; already says what we do with those. On the line below, write it again one letter shorter. Keep going until one letter is left, and then write the empty line. Now take the page to a compost heap, if you have one, or a plant pot, or a patch of ground, and &lt;em&gt;bury&lt;/em&gt; it. Don't just tear up the paper or burn it. The heap matters. Say:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;[Word]. [Wor]. [Wo]. [W]. Take it apart. Give it to whoever can use it.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Heraclitus, dying of dropsy, is supposed to have buried himself in a cowshed in the hope "that the noxious damp humour would be drawn out of him by the warmth of the manure".&lt;sup id="fnref:al-cowshed"&gt;&lt;a class="footnote-ref" href="#fn:al-cowshed"&gt;52&lt;/a&gt;&lt;/sup&gt; It didn't work for him, but he had the direction right: it's the heat of a crowd at work, and whatever you put into it is taken apart by many hands and handed on. Donna Haraway: "I compost my soul in this hot pile."&lt;sup id="fnref:al-compost"&gt;&lt;a class="footnote-ref" href="#fn:al-compost"&gt;53&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;One optional addition, from Stengers. "To unmake is a rather easy undertaking", she says, and unmaking "may even remain blind" to what it destroys; to regenerate, on the other hand, is slow, "step by step".&lt;sup id="fnref:al-unmake"&gt;&lt;a class="footnote-ref" href="#fn:al-unmake"&gt;54&lt;/a&gt;&lt;/sup&gt; So instead of leaving the hole empty, put a seed in. The word will be gone when the plant comes up.&lt;/p&gt;
&lt;h3 id="iii-the-sealed-jar"&gt;III. The Sealed Jar&lt;/h3&gt;
&lt;p&gt;I recently started to keep water kefir. If you have never seen it: a jar of sugar water on the kitchen counter with a cloth over it, and at the bottom a handful of rubbery grains that look like wet, translucent gravel. Every two days you strain the liquid off, bottle it with ground up fruits (I prefer pears and candied ginger flakes), seal it and then feed the grains fresh sugar water.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Kefir" src="/assets/images/kefir.jpg" title="water kefir grains" /&gt;&lt;/p&gt;
&lt;p&gt;The grains are neither plant nor animal. They are a settlement: lactic acid bacteria, acetic acid bacteria and yeasts, living together inside a polysaccharide they build themselves.&lt;sup id="fnref:al-kefir"&gt;&lt;a class="footnote-ref" href="#fn:al-kefir"&gt;55&lt;/a&gt;&lt;/sup&gt; You cannot make them. Every grain in every jar on earth came out of somebody else's jar, and when yours multiply (they will) you give the surplus away, or put it on the heap. A holobiont you can hold in a spoon.&lt;/p&gt;
&lt;p&gt;Any ferment you can keep alive in your kitchen will do for this rite, and they come in two families. The &lt;em&gt;inherited&lt;/em&gt; ones, which you can only receive: water kefir, milk kefir, kombucha and its honey-and-green-tea cousin jun, or a sourdough starter, a vinegar mother, an heirloom yogurt. And the &lt;em&gt;wild&lt;/em&gt; ones, caught from the vegetables and the air: sauerkraut, kimchi, brine pickles, a ginger bug, bread kvass. The first family carries the lesson of the jar: a culture is a gift. The second carries the &lt;a href="#iv-the-zone"&gt;Zone&lt;/a&gt;'s: what comes up uninvited from below, out of the noise. The PGM's one fermentation recipe is a wild one: Before a lamp divination you put fresh bean flowers in a glass bowl and "seal its mouth with clay very well for twenty days in a hidden, dark place", and what you find when you open it is used for seeing.&lt;sup id="fnref:al-pdm-seal"&gt;&lt;a class="footnote-ref" href="#fn:al-pdm-seal"&gt;56&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;So keep one. Feed it on a schedule, and notice that this is a &lt;a href="#ii-morning-song"&gt;morning song&lt;/a&gt; that feeds you back. If you opt for water kefir, note how much its taste varies after every strain. Sour, sweet, flat, fizzy: it will be different every time, because the &lt;em&gt;weather&lt;/em&gt; changes. Acknowledge your taste sense as Stengers means it, as "discerning between what nourishes us and what poisons us".&lt;sup id="fnref:al-taste"&gt;&lt;a class="footnote-ref" href="#fn:al-taste"&gt;57&lt;/a&gt;&lt;/sup&gt; Leave the bottled batch for two more days. This second ferment is the sealed vessel. Open it over the sink, because a sealed ferment that nobody burps goes off like a grenade. A very sticky one. Ask me how I know.&lt;/p&gt;
&lt;p&gt;Now drink it, and name the hour. PGM VII. 643-51 is a spell said over a cup seven times that ends by naming the moment the wine goes down "into the guts" of the one who drinks it.&lt;sup id="fnref:al-pgm-guts"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-guts"&gt;58&lt;/a&gt;&lt;/sup&gt; Most of what you swallow passes through as a guest.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;At whatever hour you go down into the guts, go down as a guest. I was given you. I pass you on.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="iv-ground-that-isnt-yours"&gt;IV. Ground That Isn't Yours&lt;/h3&gt;
&lt;p&gt;In &lt;a href="/2026-10-hypogearchy.html#solar-empire"&gt;part four&lt;/a&gt; I wrote we would come back to "Soil ≠ territory". Here we are:&lt;/p&gt;
&lt;p&gt;Adopt a patch of ground you do not own and cannot own. The tree pit on your street, the strip of grass between the sidewalk and the road, the corner of a shared yard that nobody has claimed. Visit it regularly. Learn what already grows there before you add anything. This is how I found most of my mugwort and motherwort when I still &lt;a href="/2018-04-spirits-of-berlin.html"&gt;lived in Berlin&lt;/a&gt;. When you take something (a leaf, a seed, a cutting) do what the botanist Robin Wall Kimmerer, a member of the Potawatomi Nation, calls the &lt;em&gt;Honorable Harvest&lt;/em&gt;: "Ask permission before taking. Abide by the answer. Never take the first." Never take more than half, and give something back.&lt;sup id="fnref:al-harvest"&gt;&lt;a class="footnote-ref" href="#fn:al-harvest"&gt;59&lt;/a&gt;&lt;/sup&gt; When you plant, plant what the patch did not ask for and see what it does with it. Stengers' weeds are the model here:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What we hold against so-called weeds is their capacity to transform the damage wrought by human intervention into opportunity.&lt;sup id="fnref:al-weeds"&gt;&lt;a class="footnote-ref" href="#fn:al-weeds"&gt;87&lt;/a&gt;&lt;/sup&gt; &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The Great Magical Papyrus of Paris (PGM IV.) starts its grandest initiation on exactly this kind of ground. The magician is sent "to a place from which the Nile has recently receded, before anyone walks on the area that was flooded"&lt;sup id="fnref:al-pgm-silt"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-silt"&gt;60&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;PGM IV. 286-95 clarifies to not pick a plant without telling it why. The spell also compells the plant that the earth which bore it "will no longer be watered" if it does not do the requested work for the magician.&lt;sup id="fnref:al-pgm-pick"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-pick"&gt;61&lt;/a&gt;&lt;/sup&gt; Turn the threat round. Promise to water it.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;I am picking you, such and such a plant, with my five-fingered hand, I, [NN], and I am bringing you home and I will water the ground that bore you. This ground is not mine. I am a regular visitor.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;If your back aches afterwards, rub it "with earth and vinegar" and say the Name three times.&lt;sup id="fnref:al-pgm-vinegar"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-vinegar"&gt;62&lt;/a&gt;&lt;/sup&gt; It will probably not fix your back but it will remind you of this whole section in one line: dirt, and something sour.&lt;/p&gt;
&lt;h3 id="you-are-not-plastic"&gt;You Are Not Plastic&lt;/h3&gt;
&lt;p&gt;Everything so far has &lt;em&gt;yielded&lt;/em&gt;: the word, the sugar, the ground. Before we go back up, one more thing that won't yield. And it ain't gold. Somewhere in the room you are in is at least one piece of plastic that will outlast you: a bottle, a comb, your phone case, the non-stick coating on your frying pan. Plastic is oil, and "Fossil fuels are the planetary archive of putrification and cumulative decrepitude", as Benjamin Bratton puts it. "Oil is Meat."&lt;sup id="fnref:al-oil"&gt;&lt;a class="footnote-ref" href="#fn:al-oil"&gt;63&lt;/a&gt;&lt;/sup&gt; It is the oldest dead in the house and no acid will ever touch it. Some of what it is made of is "known as 'forever chemicals' for their highly persistent nature".&lt;sup id="fnref:al-pfas"&gt;&lt;a class="footnote-ref" href="#fn:al-pfas"&gt;64&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Over a little olive oil PGM LXI. 1-38 says: "You are the olive oil; you are not the olive oil but the sweat of Good Daimon, the mucus of Isis, the utterance of Helios, the power of Osiris, the favor of the gods."&lt;sup id="fnref:al-pgm-oil"&gt;&lt;a class="footnote-ref" href="#fn:al-pgm-oil"&gt;65&lt;/a&gt;&lt;/sup&gt; This ladder up to the gods needs to be read from below. It's a list of everything the oil has gathered into itself, and the gods are what the oil is made of. So pick the thing up once and say what it is made of. Then put it back and keep using it until it breaks. Stop pretending that you and it are made of different dead.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;You are plastic; you are not plastic but plankton, ferns, a seabed, the hands that made you. You will outlast me. I know what you are.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;hr /&gt;
&lt;h2 id="from-underneath"&gt;From Underneath&lt;/h2&gt;
&lt;blockquote&gt;
&lt;p&gt;We know ourselves as part and as crowd, in an unknown that does not terrify us.&lt;sup id="fnref:glissant"&gt;&lt;a class="footnote-ref" href="#fn:glissant"&gt;88&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The Sibyl's rule still stands: the way back up is the labour. So let's climb, and count what we are carrying. In &lt;a href="/2026-10-katabasis-19.html#chthonic-potential"&gt;part three&lt;/a&gt; I said that nobody should return from a katabasis empty-handed, and two parts later our hands are actually dirty. &lt;em&gt;Praxis&lt;/em&gt;. Or rather: &lt;em&gt;Process&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;The title of this part is the clunky placeholder of the fancier term &lt;em&gt;Hypogearchy&lt;/em&gt; and it is here for the last time, as a headstone. None of these words are needed. Bury them with the paper. The Daodejing has the better line about what is actually down there: "It is capable of being the mother of the universe; I do not know its name."&lt;sup id="fnref:laozi"&gt;&lt;a class="footnote-ref" href="#fn:laozi"&gt;66&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Beatrice Searle, a stonemason, wrote of her own trade that "a cathedral mason has chosen to defend the cathedral, but not to honour the stones. [...] Stones do not endure. They do not resist. They succumb. They yield."&lt;sup id="fnref:searle-yield"&gt;&lt;a class="footnote-ref" href="#fn:searle-yield"&gt;67&lt;/a&gt;&lt;/sup&gt; That's the whole series in two sentences. The solar empire of &lt;a href="/2026-10-hypogearchy.html#solar-empire"&gt;part four&lt;/a&gt; is the cathedral, and we are its stones, kept in check by masons. Left alone, stones don't hold anything up for long. They yield to acid. Every rite in this part deliberately exposes us to that acid, letting it dissolve us a little and return us to circulation, just as it does everything else. "To be truly terrestrial", Reza Negarestani says, "is not the same as being superficial."&lt;sup id="fnref:terrestrial"&gt;&lt;a class="footnote-ref" href="#fn:terrestrial"&gt;68&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;&lt;img alt="Broken" src="/assets/images/brokenhead.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;In &lt;a href="/2025-08-outside-attractor.html#refutation-of-all-heresies"&gt;part two&lt;/a&gt; I asked for "more &lt;em&gt;haunted&lt;/em&gt; and &lt;em&gt;numinous&lt;/em&gt; modes of &lt;em&gt;endurance&lt;/em&gt;". Here is what I meant, now that I can say it. Endurance has nothing to do with not yielding. The stone yields and is still here. So are we, and we are not alone in it: a self assembled from below is &lt;a href="/2026-10-hypogearchy.html#soil-horizons"&gt;haunted by construction&lt;/a&gt;: the dead, the microbes, the hours, the places. That is the haunted part. The numinous part is that none of them terrify us.&lt;/p&gt;
&lt;div class="footnote"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn:cover-photo"&gt;
&lt;p&gt;Cover &lt;a href="https://www.flickr.com/photos/47445767@N05/16093503509"&gt;photo by James St. John&lt;/a&gt;, &lt;a href="https://creativecommons.org/licenses/by/2.0/deed.en"&gt;Attribution 2.0 Generic license&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:cover-photo" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:hui-probable"&gt;
&lt;p&gt;Yuk Hui, Recursivity and Contingency, Rowman &amp;amp; Littlefield International, 2019, ch. 4, §36, "Tertiary Protention and Preemption".&amp;#160;&lt;a class="footnote-backref" href="#fnref:hui-probable" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-hope"&gt;
&lt;p&gt;&lt;a href="https://k-punk.org/abandon-hope-summer-is-coming/"&gt;Mark Fisher, Abandon hope (summer is coming), k-punk, May 12, 2015&lt;/a&gt;.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-hope" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:eg-hope" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:eg-hope" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:atmos"&gt;
&lt;p&gt;&lt;a href="https://atmos.earth/dr-bayo-akomolafe-on-slowing-down-in-urgent-times/"&gt;Dr. Bayo Akomolafe on Slowing Down in Urgent Times, Atmos&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:atmos" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pdm-horus"&gt;
&lt;p&gt;PDM XII. 21-49.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pdm-horus" title="Jump back to footnote 5 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-betz"&gt;
&lt;p&gt;All PGM and PDM references in this part are to Hans Dieter Betz (ed.), The Greek Magical Papyri in Translation, Including the Demotic Spells, 2nd ed., University of Chicago Press, 1992.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-betz" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-dust-skin"&gt;
&lt;p&gt;van Bronswijk, J. E. M. H. (1981). House Dust Biology for Allergists, Acarologists and Mycologists. J. Bronswijk.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-dust-skin" title="Jump back to footnote 7 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-cloud"&gt;
&lt;p&gt;Catherine Keller, Cloud of the Impossible: Negative Theology and Planetary Entanglement, Columbia University Press, 2015, ch. 1, "The Dark Nuance of Beginning".&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-cloud" title="Jump back to footnote 8 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-sandal"&gt;
&lt;p&gt;PGM VII. 478-90, PGM IV. 1323-30.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-sandal" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-futile"&gt;
&lt;p&gt;Ed Keller, Nicola Masciandaro and Eugene Thacker (eds.), Leper Creativity: Cyclonopedia Symposium, punctum books, 2012.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-futile" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-letter"&gt;
&lt;p&gt;PGM LI. 1-27&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-letter" title="Jump back to footnote 11 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-despret"&gt;
&lt;p&gt;Vinciane Despret, as reported in Donna Haraway, Staying with the Trouble, Duke University Press, 2016, ch. 7&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-despret" title="Jump back to footnote 12 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-hillman-ice"&gt;
&lt;p&gt;Hillman, The Dream and the Underworld, ch. 6, "Ice"&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-hillman-ice" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:de-hillman-ice" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:de-hillman-ice" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-water"&gt;
&lt;p&gt;PDM xiv. 395-427&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-water" title="Jump back to footnote 14 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-tyche"&gt;
&lt;p&gt;Yuk Hui, Recursivity and Contingency, Rowman &amp;amp; Littlefield International, 2019, Introduction, §3, "Contingency and Finality": "Even when I walk out of my house this morning, as is my routine, I will go to the épicerie next to my house for a coffee before starting writing, or I may see a friend who owes me money from a long time ago and suggest he return his debt. Aristotle calls the first case automaton, often rendered automatic; the second case tyche, meaning chance or luck."&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-tyche" title="Jump back to footnote 15 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-noise"&gt;
&lt;p&gt;Gregory Bateson, Steps to an Ecology of Mind, University of Chicago Press, 2000, p. 416&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-noise" title="Jump back to footnote 16 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-abram"&gt;
&lt;p&gt;Abram, David. Becoming Animal: An Earthly Cosmology. Pantheon, 2010&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-abram" title="Jump back to footnote 17 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-anomaly"&gt;
&lt;p&gt;Reza Negarestani, Cyclonopedia: Complicity with Anonymous Materials, re.press, 2008&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-anomaly" title="Jump back to footnote 18 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-apophenia"&gt;
&lt;p&gt;Bratton, "Root the Earth: On Peak Oil Apophenia", in Leper Creativity.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-apophenia" title="Jump back to footnote 19 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-stamp"&gt;
&lt;p&gt;PDM Suppl. 117-30&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-stamp" title="Jump back to footnote 20 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-rediculus"&gt;
&lt;p&gt;The Romans had a god for turning back, Rediculus, from &lt;em&gt;redire&lt;/em&gt;, to return. Festus ties his name to Hannibal, who turned back from the gates of Rome in 211 BCE; his temple stood outside the Porta Capena, and "travelers leaving the city would pray at the temple before embarking on the Appian Way." Pliny the Elder (Natural History X.60) has a talking crow buried in the field of Rediculus beside that road. See &lt;a href="https://en.wikipedia.org/wiki/Rediculus"&gt;Wikipedia: Rediculus&lt;/a&gt;. Beatrice Searle adds that "the offerings he liked best of all were carved footprints" (Stone Will Answer, ch. 14), but gives no source for it.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-rediculus" title="Jump back to footnote 21 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-hedva"&gt;
&lt;p&gt;Elisa Adami, "The Underlying", 2020, p. 134, after Johanna Hedva, "Sick Woman Theory" (2016) and "Get Well Soon!" (2020).&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-hedva" title="Jump back to footnote 22 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:ch-hedva" title="Jump back to footnote 22 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-hades"&gt;
&lt;p&gt;LD Deutsch, Time, Myth and Matter, Sacred Bones Books, 2024, "Pluto and the Mythic Dimension"&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-hades" title="Jump back to footnote 23 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-baril"&gt;
&lt;p&gt;Alexandre Baril, "'Doctor, am I an Anglophone trapped in a Francophone body?' An intersectional analysis of 'trans-crip-t time'", Journal of Literary &amp;amp; Cultural Disability Studies 10.2, 2016; summarised in Karin Ljuslinder, Katie Ellis and Lotta Vikström, "Cripping Time", Scandinavian Journal of Disability Research 22.1, 2020, p. 36.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-baril" title="Jump back to footnote 24 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-brazier"&gt;
&lt;p&gt;PDM xiv. 62-92&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-brazier" title="Jump back to footnote 25 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pgm-true-name"&gt;
&lt;p&gt;PGM LXXIX. 1-7; the same text in PGM LXXX. 1-5.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pgm-true-name" title="Jump back to footnote 26 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pdm-nun"&gt;
&lt;p&gt;PDM Suppl. 40-60&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pdm-nun" title="Jump back to footnote 27 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pgm-statue"&gt;
&lt;p&gt;PGM IV. 3125-71&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pgm-statue" title="Jump back to footnote 28 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-boycott"&gt;
&lt;p&gt;Yuk Hui puts it in systems terms: sabotage "will never do any harm to the system since it is only a contingent event for ameliorating the system". His way out is not to stop but to build something else. Even Gilles Grelet, who preaches total refusal, concedes that "the world absorbs that which breaks with it. Absorbs it: not just annulling it but feeding on it, using it to eternalise itself" (Theory of the Solitary Sailor, Urbanomic, [0.2]). Hui, Recursivity and Contingency, Rowman &amp;amp; Littlefield International, 2019, ch. 5, §42.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-boycott" title="Jump back to footnote 29 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-improbable"&gt;
&lt;p&gt;Yuk Hui: the machine "has already anticipated what the options will be: In this case, freedom means choice. This precisely means that it is a reduction of the contingent to the most probable. The contingent is possible, but it is not the most or highly probable. The contingent is the least probable, or even the improbable." Hui, Recursivity and Contingency, ch. 4, §36.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-improbable" title="Jump back to footnote 30 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-sunset"&gt;
&lt;p&gt;Rovelli, Part I, ch. 1, "Loss of Unity".&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-sunset" title="Jump back to footnote 31 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-vowels"&gt;
&lt;p&gt;PGM XIII. 824-34, from the "Eighth Book of Moses". In the papyrus the speaker turns east, north, west, south, then to the earth, the air and the sky, saying the seven vowels, and ends with both hands on the head. Read as the tones of the seven planets (the &lt;a href="/2019-12-theoria.html#chariot-rides"&gt;Theoria&lt;/a&gt; post quotes the tones of the seven spheres as the source of the vowels' names), in the usual Hellenistic order from the Moon to Saturn, the papyrus ascends the planetary scale. Three things are encoded in the reversal, and none of them is tied to the others. The vowels run down that scale, from Saturn to the Moon. The turning follows the sun's day, clockwise: East for dawn, South for noon, West for dusk, North for night, with the Sun's own vowel falling at noon. The hands give the day away: gather, lift, offer, send, set down. You end bowed to the ground, facing North, where the sun is at night, and where the axis stands that the whole sky turns around, the sun included, like everything else. Five of the gestures (hands on the head, on the heart, on the stomach, held forward, and the bend to the toes) come from the papyrus; the raised arms and the push away are this essay's.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-vowels" title="Jump back to footnote 32 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-horace"&gt;
&lt;p&gt;Horace, Odes III, 29; epigraph to Rovelli, Part III, ch. 12.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-horace" title="Jump back to footnote 33 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-song"&gt;
&lt;p&gt;Rovelli, "The Sister of Sleep", after Augustine, Confessions XI.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-song" title="Jump back to footnote 34 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-silence3"&gt;
&lt;p&gt;PGM IV. 475-829 (ll. 556-85)&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-silence3" title="Jump back to footnote 35 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-day-sunset"&gt;
&lt;p&gt;Genesis 1:5. In the Jewish count the day runs from sunset or nightfall, and Shabbat begins on Friday at sunset. Pliny the Elder, Natural History 2.77, says the Athenians reckoned from sunset to sunset and the Babylonians from sunrise to sunrise. Caesar, Gallic War 6.18, says the Gauls reckon time by nights, and Tacitus, Germania 11, says of the Germans that night seems to lead the day. In the Islamic count the day also begins at sunset, and the months begin with the crescent seen after sunset.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-day-sunset" title="Jump back to footnote 36 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-gold"&gt;
&lt;p&gt;PGM VII. 167-86&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-gold" title="Jump back to footnote 37 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-gold"&gt;
&lt;p&gt;Isabelle Stengers, Making Sense in Common: A Reading of Whitehead in Times of Collapse, trans. Thomas Lamarre, University of Minnesota Press, 2023, ch. 4, p. 116.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-gold" title="Jump back to footnote 38 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-ambelain"&gt;
&lt;p&gt;Robert Ambelain, &lt;em&gt;La Kabbale pratique&lt;/em&gt; (1951), quoted in Mark Stavish, Egregores: The Occult Entities That Watch Over Human Destiny, Inner Traditions, 2018, ch. 3.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-ambelain" title="Jump back to footnote 39 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-organ"&gt;
&lt;p&gt;Panda, Satchin. The Circadian Code. Rodale, 2018, ch. 2, "Every Organ Has Its Own Clock"&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-organ" title="Jump back to footnote 40 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-gut"&gt;
&lt;p&gt;Panda, ch. 9, "The Gut Microbiome Is Circadian".&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-gut" title="Jump back to footnote 41 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-bite"&gt;
&lt;p&gt;Panda, ch. 3, "Your First Bite/Sip of the Day".&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-bite" title="Jump back to footnote 42 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-silence"&gt;
&lt;p&gt;PGM XXII b. 32-35, PDM xiv. 117-49, PGM VII. 619-27&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-silence" title="Jump back to footnote 43 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-limestone"&gt;
&lt;p&gt;Beatrice Searle, Stone Will Answer, Harvill Secker, 2023, ch. 4.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-limestone" title="Jump back to footnote 44 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-holobiont"&gt;
&lt;p&gt;Haraway, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, 2016, ch. 3, "Sympoiesis".&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-holobiont" title="Jump back to footnote 45 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pgm-i-am"&gt;
&lt;p&gt;PGM III. 633-731&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pgm-i-am" title="Jump back to footnote 46 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-autophagy"&gt;
&lt;p&gt;Panda, ch. 11, on autophagy peaking several hours after the last meal.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-autophagy" title="Jump back to footnote 47 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-nap"&gt;
&lt;p&gt;Panda, ch. 4, sidebar on napping.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-nap" title="Jump back to footnote 48 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-horae"&gt;
&lt;p&gt;Deutsch, Time, Myth and Matter, "Myth + Models of Time &amp;amp; Timelessness"&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-horae" title="Jump back to footnote 49 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-sleepers"&gt;
&lt;p&gt;Heraclitus, fragment B75, quoted in James Hillman, The Dream and the Underworld, Harper &amp;amp; Row, 1979.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-sleepers" title="Jump back to footnote 50 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-wing"&gt;
&lt;p&gt;PGM CXX. 1-13; Also PGM XVIIIb, XXXIX, LXXXVIII.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-wing" title="Jump back to footnote 51 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-cowshed"&gt;
&lt;p&gt;Diogenes Laertius IX.3, quoted in Paul Bishop, Terence Dawson and Leslie Gardner (eds.), The Descent of the Soul and the Archaic: Katábasis and Depth Psychology, Routledge, 2023, ch. 2, p. 35.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-cowshed" title="Jump back to footnote 52 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-compost"&gt;
&lt;p&gt;Donna Haraway, Staying with the Trouble: Making Kin in the Chthulucene, Duke University Press, 2016, ch. 2.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-compost" title="Jump back to footnote 53 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-unmake"&gt;
&lt;p&gt;Stengers, Making Sense in Common, p. 179.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-unmake" title="Jump back to footnote 54 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-kefir"&gt;
&lt;p&gt;Laureys and De Vuyst, "Microbial species diversity, community dynamics, and metabolite kinetics of water kefir fermentation", Applied and Environmental Microbiology 80.8 (2014); Gulitz et al., "The microbial diversity of water kefir", International Journal of Food Microbiology 151 (2011).&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-kefir" title="Jump back to footnote 55 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pdm-seal"&gt;
&lt;p&gt;PDM xiv. 140-46 (cf. 829-34)&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pdm-seal" title="Jump back to footnote 56 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-taste"&gt;
&lt;p&gt;Stengers, Making Sense in Common, p. 154.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-taste" title="Jump back to footnote 57 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-guts"&gt;
&lt;p&gt;PGM VII. 643-51.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-guts" title="Jump back to footnote 58 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-harvest"&gt;
&lt;p&gt;Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants, Milkweed Editions, 2013, "The Honorable Harvest", p. 183. The guidelines in full, which she says "are not written down, or even consistently spoken of as a whole": "Know the ways of the ones who take care of you, so that you may take care of them. Introduce yourself. Be accountable as the one who comes asking for life. Ask permission before taking. Abide by the answer. Never take the first. Never take the last. Take only what you need. Take only that which is given. Never take more than half. Leave some for others. Harvest in a way that minimizes harm. Use it respectfully. Never waste what you have taken. Share. Give thanks for what you have been given. Give a gift, in reciprocity for what you have taken. Sustain the ones who sustain you and the earth will last forever."&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-harvest" title="Jump back to footnote 59 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-silt"&gt;
&lt;p&gt;PGM IV. 26-51.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-silt" title="Jump back to footnote 60 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-pick"&gt;
&lt;p&gt;PGM IV. 286-95.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-pick" title="Jump back to footnote 61 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-vinegar"&gt;
&lt;p&gt;PGM XIII. 244-47.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-vinegar" title="Jump back to footnote 62 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-oil"&gt;
&lt;p&gt;Benjamin H. Bratton, "Root the Earth: On Peak Oil Apophenia", in Ed Keller, Nicola Masciandaro and Eugene Thacker (eds.), Leper Creativity: Cyclonopedia Symposium, punctum books, 2012.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-oil" title="Jump back to footnote 63 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pfas"&gt;
&lt;p&gt;Jemma Woolmore, These Relations Are Forever, MFA thesis, Bauhaus-Universität Weimar, 2024, pp. 11-15, on PFAS.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pfas" title="Jump back to footnote 64 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-pgm-oil"&gt;
&lt;p&gt;PGM LXI. 1-38 (= PDM lxi. 159-96); Also PGM VII. 643-51, XXXVI. 333-60.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-pgm-oil" title="Jump back to footnote 65 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:laozi"&gt;
&lt;p&gt;Daodejing, ch. 25, in Hyo-Dong Lee, Spirit, Qi, and the Multitude: A Comparative Theology for the Democracy of Creation, Fordham University Press, 2013, p. 46.&amp;#160;&lt;a class="footnote-backref" href="#fnref:laozi" title="Jump back to footnote 66 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:searle-yield"&gt;
&lt;p&gt;Beatrice Searle, Stone Will Answer: A Journey Guided by Craft, Myth and Geology, Harvill Secker, 2023, ch. 6. The elided sentence: "Because a cathedral demands that the stones endure."&amp;#160;&lt;a class="footnote-backref" href="#fnref:searle-yield" title="Jump back to footnote 67 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:terrestrial"&gt;
&lt;p&gt;Negarestani, quoted in Robin Mackay, "A Brief History of Geotrauma", in Leper Creativity: Cyclonopedia Symposium, punctum books, 2012.&amp;#160;&lt;a class="footnote-backref" href="#fnref:terrestrial" title="Jump back to footnote 68 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:pgm-shopping"&gt;
&lt;p&gt;PGM II. 1-64, PGM I. 222-31, PGM I. 247-62, PGM VII. 628-42&amp;#160;&lt;a class="footnote-backref" href="#fnref:pgm-shopping" title="Jump back to footnote 69 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:bratton"&gt;
&lt;p&gt;"'just putting it out there into the universe' that the accumulation of apps, horizontal care networks, trickster hacks, and workarounds, or the emergent intelligence of ethical tech, local communities, transitional delinking, or very intense acts of subjective expression will add up to a better outcome is not a serious position but rather a sign of beleaguered melancholia." Bratton, The Revenge of the Real: Politics for a Post-Pandemic World, Verso, 2021, ch. 19, "For Planetary Competency".&amp;#160;&lt;a class="footnote-backref" href="#fnref:bratton" title="Jump back to footnote 70 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-pgm-went-down"&gt;
&lt;p&gt;PGM LXX. 4-25&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-pgm-went-down" title="Jump back to footnote 71 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-hillman-praxis"&gt;
&lt;p&gt;Hillman, James. The Dream and the Underworld. Harper &amp;amp; Row, 1979, ch. 6, "Praxis".&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-hillman-praxis" title="Jump back to footnote 72 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-aeneid"&gt;
&lt;p&gt;Virgil, Aeneid VI.126-29, translated by John Dryden (1697), &lt;a href="https://www.gutenberg.org/ebooks/228"&gt;Project Gutenberg&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-aeneid" title="Jump back to footnote 73 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-thacker"&gt;
&lt;p&gt;Eugene Thacker, In the Dust of This Planet: Horror of Philosophy Vol. 1, Zero Books, 2011, the last sentence of the book.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-thacker" title="Jump back to footnote 74 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-dust-mitchell"&gt;
&lt;p&gt;Laird, "The 'Us' in Dust", n. 37, on Dane Mitchell's Dust Archive, begun in 2003.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-dust-mitchell" title="Jump back to footnote 75 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:de-hic"&gt;
&lt;p&gt;Isabelle Stengers, Making Sense in Common: A Reading of Whitehead in Times of Collapse, trans. Thomas Lamarre, University of Minnesota Press, 2023, ch. 3, "Dare to Speculate", p. 72.&amp;#160;&lt;a class="footnote-backref" href="#fnref:de-hic" title="Jump back to footnote 76 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-days"&gt;
&lt;p&gt;PGM VII. 155-67, cf. VII. 272-83&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-days" title="Jump back to footnote 77 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-bonds"&gt;
&lt;p&gt;PGM XIII. 288-96&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-bonds" title="Jump back to footnote 78 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-mummy"&gt;
&lt;p&gt;PDM xiv. 451-58&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-mummy" title="Jump back to footnote 79 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-ereschigal"&gt;
&lt;p&gt;PGM LXX. 4-25&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-ereschigal" title="Jump back to footnote 80 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pgm-hermes"&gt;
&lt;p&gt;PGM VIII. 1-63&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pgm-hermes" title="Jump back to footnote 81 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-unname"&gt;
&lt;p&gt;Naming the thing above is also unnaming it. Catherine Keller, on how new names work: "by a recurrent unnaming of a prior name." Keller, Cloud of the Impossible, Columbia University Press, 2015, ch. 1.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-unname" title="Jump back to footnote 82 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-oil"&gt;
&lt;p&gt;Thacker, "Black Infinity; or, Oil Discovers Humans", in Ed Keller, Nicola Masciandaro and Eugene Thacker (eds.), Leper Creativity: Cyclonopedia Symposium, punctum books, 2012.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-oil" title="Jump back to footnote 83 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-geb"&gt;
&lt;p&gt;PDM xiv. 805-16 (cf. 295-308)&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-geb" title="Jump back to footnote 84 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-pgm-mithras"&gt;
&lt;p&gt;PGM IV. 475-829, the "Mithras Liturgy", first prayer. Evola, Julius, and Ur Group. Introduction to Magic: Rituals and Practical Techniques for the Magus. Simon and Schuster, 2018.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-pgm-mithras" title="Jump back to footnote 85 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eg-pdm-hearing"&gt;
&lt;p&gt;PDM xiv. 1163-79&amp;#160;&lt;a class="footnote-backref" href="#fnref:eg-pdm-hearing" title="Jump back to footnote 86 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:al-weeds"&gt;
&lt;p&gt;Stengers, Making Sense in Common, p. 124.&amp;#160;&lt;a class="footnote-backref" href="#fnref:al-weeds" title="Jump back to footnote 87 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:glissant"&gt;
&lt;p&gt;Édouard Glissant, Poetics of Relation, trans. Betsy Wing, University of Michigan Press, 1997, the end of "The Open Boat"; also the epigraph to "Before" in Keller, Cloud of the Impossible.&amp;#160;&lt;a class="footnote-backref" href="#fnref:glissant" title="Jump back to footnote 88 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ch-alarm"&gt;
&lt;p&gt;Panda, ch. 3, "When (and How) You Wake Up Is the Most Important Event of the Day".&amp;#160;&lt;a class="footnote-backref" href="#fnref:ch-alarm" title="Jump back to footnote 89 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;</content><category term="Ritual"/><category term="hypogearchy"/><category term="ritual"/><category term="underworld"/><category term="chthonic"/><category term="death"/><category term="katabasis"/><category term="pgm"/><category term="grimoire"/><category term="dream"/><category term="randonaut"/><category term="contingency"/><category term="mark fisher"/><category term="acid communism"/><category term="haraway"/><category term="hillman"/><category term="the others"/><category term="process philosophy"/></entry><entry><title>Hypogearchy</title><link href="https://sublunar.space/2026-10-hypogearchy.html" rel="alternate"/><published>2026-10-15T22:00:00+02:00</published><updated>2026-10-15T22:00:00+02:00</updated><author><name>T. F.</name></author><id>tag:sublunar.space,2026-10-15:/2026-10-hypogearchy.html</id><summary type="html">&lt;p&gt;&lt;em&gt;Part four of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and …&lt;/em&gt;&lt;/p&gt;</summary><content type="html">&lt;p&gt;&lt;em&gt;Part four of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and the Gnosis of Acid Communism. In the &lt;a href="/2025-08-outside-attractor.html"&gt;second part&lt;/a&gt; we pulled the red thread through digital acceleration and hypostitional collapse toward the pull of the Outside Attractor. In the &lt;a href="/2026-10-katabasis-19.html"&gt;third part&lt;/a&gt; we descended into the plague years and came back up with a direction. Now we stop mapping and start digging.&lt;/em&gt;&lt;/p&gt;
&lt;h2 id="rule-from-beneath"&gt;Rule from Beneath&lt;/h2&gt;
&lt;p&gt;Let me begin with a confession: it has been here the whole time. It sits in the &lt;em&gt;tags&lt;/em&gt; of every part of this series since the first one went online in the summer of 2025. The &lt;a href="/2026-10-katabasis-19.html#chthonic-potential"&gt;last part&lt;/a&gt; ended on the words "From &lt;em&gt;Underneath&lt;/em&gt;." I have been writing &lt;em&gt;toward&lt;/em&gt; this word for over a year without once saying it out loud. So here it is, let me vibrate it like a formula: &lt;em&gt;Hypogearchy&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Three Greek pieces. ὑπό, &lt;em&gt;hypo&lt;/em&gt;, beneath. γῆ, &lt;em&gt;ge&lt;/em&gt;, the earth. And ἀρχή, &lt;em&gt;arche&lt;/em&gt;, which means &lt;em&gt;rule&lt;/em&gt;, but also &lt;em&gt;beginning&lt;/em&gt; and &lt;em&gt;first principle&lt;/em&gt;&lt;sup id="fnref:arche"&gt;&lt;a class="footnote-ref" href="#fn:arche"&gt;1&lt;/a&gt;&lt;/sup&gt;. Rule from beneath the earth. Or, read the other way round: the principle that &lt;em&gt;begins&lt;/em&gt; underneath.&lt;/p&gt;
&lt;p&gt;The word has two much older and much more famous siblings: &lt;em&gt;Hierarchy&lt;/em&gt; is &lt;em&gt;sacred&lt;/em&gt; rule, from ἱερός, &lt;em&gt;hieros&lt;/em&gt;, holy: rule from above, the vertical order of priests, emperors, and the Archons&lt;sup id="fnref:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;2&lt;/a&gt;&lt;/sup&gt; we met in part one. &lt;em&gt;Anarchy&lt;/em&gt; is well known: the absence of &lt;em&gt;arche&lt;/em&gt;, no rule at all. Hypogearchy is a third option the Greek language allows and nobody seems to have bothered to claim: rule with a &lt;em&gt;source&lt;/em&gt; that is &lt;em&gt;below&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Remember the loaded gun from &lt;a href="/2025-07-capitalist-kenoma.html#towards-pleroma"&gt;part one&lt;/a&gt;. Mark Fisher, unable to revive the tainted signifier &lt;em&gt;communism&lt;/em&gt; and unwilling to define his project by what it opposed, wrote:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;At the moment, our desire is nameless – but it is real. [...] At some point in this process, the name for our new desire will appear and we will recognize it.&lt;sup id="fnref3:euro"&gt;&lt;a class="footnote-ref" href="#fn:euro"&gt;20&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Of course I am not claiming to have found the name &lt;em&gt;for&lt;/em&gt; Fisher. What was produced in the &lt;em&gt;Others&lt;/em&gt; Discord in the spring of 2021, half as a joke, was &lt;em&gt;#acid-chthomunism&lt;/em&gt;, an unpronunceable clunky word made even clunkier. It's been a placeholder since, waiting to be substituted, thrice tainted, because what I eventually meant to say it was not a political party, not a program, not even an &lt;em&gt;-ism&lt;/em&gt;. It has always been more of a feeling, a vibe, and primarily a &lt;em&gt;vector&lt;/em&gt;, a direction. The same one we carried back up from the plague years in part three: &lt;em&gt;inward&lt;/em&gt;, &lt;em&gt;downward&lt;/em&gt;, toward the ground, the soil, the dead. But more than that the name needed to describe an action. The &lt;em&gt;arche&lt;/em&gt; was the last puzzle piece.&lt;/p&gt;
&lt;p&gt;And since this is the part of the dungeon crawl where all the &lt;em&gt;overthinking&lt;/em&gt; gets done before the actual &lt;em&gt;digging&lt;/em&gt; starts, let me say plainly what the &lt;em&gt;#acid-chthomunism&lt;/em&gt; Discord channel and this whole series has been trying to do from the beginning. &lt;/p&gt;
&lt;p&gt;It takes Fisher's &lt;em&gt;Acid Communism&lt;/em&gt; and breaks both of its words wide open. &lt;em&gt;Acid&lt;/em&gt;, taken not just at its implied &lt;em&gt;psychedelic&lt;/em&gt; value, but the &lt;em&gt;chemical&lt;/em&gt; one: beyond the flash that opens the mind it is the agent that &lt;em&gt;eats&lt;/em&gt; through whatever it touches. &lt;em&gt;Communism&lt;/em&gt;, widened to include the &lt;em&gt;more-than-human&lt;/em&gt; world that lives below the floor of every human commons and beyond our doors of perception. This essay supplies the theory underneath both. The next one will supply the praxis.&lt;/p&gt;
&lt;h2 id="solar-empire"&gt;Solar Empire&lt;/h2&gt;
&lt;p&gt;Before we can dig we have to know what we are digging &lt;em&gt;through&lt;/em&gt;. So let's go back to the top layer, where &lt;a href="/2025-08-outside-attractor.html#outside-attractor"&gt;part two&lt;/a&gt; left us standing: an &lt;em&gt;Artificial Intelligence&lt;/em&gt; promising to become the &lt;em&gt;universal&lt;/em&gt; redeemer, &lt;em&gt;accelerationism&lt;/em&gt; as official ideology, billionaires pointing rockets at Mars, and Nick Land's &lt;em&gt;Outside&lt;/em&gt; pulling everything toward a machinic singularity, an "invasion from the future"&lt;sup id="fnref:land"&gt;&lt;a class="footnote-ref" href="#fn:land"&gt;3&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;Look at the &lt;em&gt;direction&lt;/em&gt; of each of these. Up. Out. Away. Every &lt;em&gt;escape&lt;/em&gt; on offer in the new Middle Ages points at the &lt;em&gt;sky&lt;/em&gt;. Not only &lt;em&gt;Them&lt;/em&gt;. Even, as we will see, the ones that call themselves &lt;em&gt;ours&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;It's not a coincidence, it's a &lt;em&gt;default&lt;/em&gt;. The most dangerous kind of rule, because nobody experiences it as ruling. Let's take the spade and find out how deep it goes.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Dr. Jacoby" src="/assets/images/jacoby.jpg" /&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Shovel your way out of the shit and into the truth.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Just beneath the topsoil we hit &lt;em&gt;solutionism&lt;/em&gt;: the conviction that every problem, the climate catastrophe included, has a &lt;em&gt;technical fix&lt;/em&gt; waiting to be engineered by somebody with a sufficiently large budget and a sufficiently large &lt;em&gt;view&lt;/em&gt;. Donna Haraway, the biologist turned feminist philosopher of science who will keep turning up the deeper we go, gave that view its name almost four decades ago: the "&lt;em&gt;god trick&lt;/em&gt; of seeing everything from nowhere"&lt;sup id="fnref:haraway1"&gt;&lt;a class="footnote-ref" href="#fn:haraway1"&gt;4&lt;/a&gt;&lt;/sup&gt;. She meant the posture of a science that pretends to have no body and no location.&lt;/p&gt;
&lt;p&gt;It is the view from &lt;em&gt;above&lt;/em&gt;, the divine &lt;em&gt;sun&lt;/em&gt;, the one place in the old cosmos that sees everything and is too bright to look at. Solutionism is the god trick with a &lt;em&gt;budget&lt;/em&gt;. Its hero is &lt;em&gt;Prometheus&lt;/em&gt;, who stole fire from the gods, which is to say from the sun, and carried it &lt;em&gt;down&lt;/em&gt; to us. Note that even the rebel moves along the same vertical axis. The  testosterone-driven version of this hero worship, which the media theorist Alexander Galloway calls "&lt;em&gt;Brometheanism&lt;/em&gt;"&lt;sup id="fnref:brometh"&gt;&lt;a class="footnote-ref" href="#fn:brometh"&gt;5&lt;/a&gt;&lt;/sup&gt;, is the house religion of Silicon Valley.&lt;/p&gt;
&lt;p&gt;Capital itself runs on solar logic. Georges Bataille, the dissident surrealist who devoted much of the 1940s developing an economics of &lt;em&gt;waste&lt;/em&gt;, understood this clearly.:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The living organism, in a situation determined by the play of energy on the surface of the globe, ordinarily receives more energy than is necessary for maintaining life; the excess energy (wealth) can be used for the growth of a system (e.g., an organism); if the system can no longer grow, or if the excess cannot be completely absorbed in its growth, it must necessarily be lost without profit; it must be spent, willingly or not, gloriously or catastrophically.&lt;sup id="fnref:bataille"&gt;&lt;a class="footnote-ref" href="#fn:bataille"&gt;21&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Wealth, in this picture, is collected &lt;em&gt;sunlight&lt;/em&gt; that has to go somewhere. Growth is the only sanctioned way of spending it. And when growth stagnates, the surplus is burnt &lt;em&gt;catastrophically&lt;/em&gt;: in wars, in crypto mines, in the &lt;em&gt;compulsive destruction&lt;/em&gt; Jodi Dean diagnosed in part two. This is also, I think, why &lt;em&gt;Capitalist Realism&lt;/em&gt; felt so &lt;em&gt;metaphysical&lt;/em&gt; to Fisher and to all of us who read him. Capital did not invent its cosmology, it's the new form of the same old &lt;em&gt;borrowed sun&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;One layer further down lies the &lt;em&gt;Enlightenment&lt;/em&gt;. The name says everything. &lt;em&gt;Reason&lt;/em&gt; as a light that comes from above and dispels what lies below: the &lt;em&gt;dark&lt;/em&gt; ages, the &lt;em&gt;obscure&lt;/em&gt;, the &lt;em&gt;superstitious&lt;/em&gt;, the &lt;em&gt;underground&lt;/em&gt;. Ironically it was Copernicus who moved the sun to the centre of &lt;em&gt;physics&lt;/em&gt; in the very same era in which cosmology, philosophy and politics tried to keep it firmly at the &lt;em&gt;top&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Below that, &lt;em&gt;Christian empire&lt;/em&gt;. Constantine's &lt;em&gt;Sol Invictus&lt;/em&gt;, the unconquered sun, whose festival on the 25th of December became Christmas&lt;sup id="fnref:sol"&gt;&lt;a class="footnote-ref" href="#fn:sol"&gt;6&lt;/a&gt;&lt;/sup&gt;. The &lt;em&gt;halo&lt;/em&gt;, a little private sun around every sanctified head. The &lt;em&gt;Sun King&lt;/em&gt; at Versailles, around whom the court and the state revolved by decree. &lt;em&gt;Hierarchy&lt;/em&gt;, sacred rule, is not merely a metaphor for this arrangement. It &lt;em&gt;is&lt;/em&gt; this arrangement, and the ladder only works in one direction: light descends, obedience ascends.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Sun Coin" src="/assets/images/pluribus.png" /&gt;&lt;/p&gt;
&lt;p&gt;One more layer, and we are in PGM territory, among friends. &lt;em&gt;Plotinus&lt;/em&gt;, in the third century, the father of what we now call &lt;em&gt;Neoplatonism&lt;/em&gt;, systematised what had been floating around for six hundred years into the most elegant cosmology the West has ever produced and never since been able to shake off: the &lt;em&gt;One&lt;/em&gt; at the top, overflowing, &lt;em&gt;Nous&lt;/em&gt; and &lt;em&gt;Soul&lt;/em&gt; spilling out of it, and at the very bottom, as the dimmest trickle of the light, crude &lt;em&gt;matter&lt;/em&gt;&lt;sup id="fnref:plotinus"&gt;&lt;a class="footnote-ref" href="#fn:plotinus"&gt;7&lt;/a&gt;&lt;/sup&gt;. &lt;em&gt;Emanation&lt;/em&gt;. Everything that exists is a diluted ray of what sits above it.&lt;/p&gt;
&lt;p&gt;And this is where I have to say &lt;em&gt;we&lt;/em&gt; rather than &lt;em&gt;they&lt;/em&gt;. The entire Western magical tradition inherited the ladder whole: "&lt;em&gt;As above, so below&lt;/em&gt;" puts the &lt;em&gt;above&lt;/em&gt; first. The &lt;em&gt;correspondences&lt;/em&gt; descend from the planets to the metals, the herbs and the organs. The &lt;em&gt;grades&lt;/em&gt; of every initiatory order ascend. I have attempted to climb that ladder myself, for years, and on this very blog: the &lt;a href="/2017-11-routines-in-theurgy.html"&gt;routines in theurgy&lt;/a&gt;, the Helleno-Kemetic &lt;a href="/2019-12-theoria.html"&gt;theoria&lt;/a&gt;, the &lt;a href="/2017-06-planetische-gebete.html"&gt;planetary prayers&lt;/a&gt;, the &lt;a href="/2017-11-orphische-hymnen.html"&gt;Orphic hymns&lt;/a&gt; to Helios himself. We &lt;em&gt;own&lt;/em&gt; this tradition.&lt;/p&gt;
&lt;p&gt;The same goes for this series. The &lt;em&gt;Gnostic&lt;/em&gt; frame of parts one and two, the &lt;em&gt;Pleroma&lt;/em&gt; above the &lt;em&gt;Kenoma&lt;/em&gt;, was an &lt;em&gt;ascent&lt;/em&gt; story. And Fisher's desire, the one "that comes from the future", is ahead and above, never below.&lt;/p&gt;
&lt;p&gt;Finally, the bedrock of the Western tradition: &lt;em&gt;Plato&lt;/em&gt;. Book six of the &lt;em&gt;Republic&lt;/em&gt;, where Socrates declines to say what the &lt;em&gt;Good&lt;/em&gt; is and offers instead its "offspring": the &lt;em&gt;sun&lt;/em&gt;, giving things both their visibility and their growth, as the Good gives things both their intelligibility and their &lt;em&gt;being&lt;/em&gt;&lt;sup id="fnref:plato"&gt;&lt;a class="footnote-ref" href="#fn:plato"&gt;8&lt;/a&gt;&lt;/sup&gt;. Book seven, the infamous cave, in which the prisoners' entire liberation consists of turning around and walking &lt;em&gt;up&lt;/em&gt; and &lt;em&gt;out&lt;/em&gt; into the light. That whole story only works if the sun is the point. Every escape narrative we touched in this section is a retelling of this one. This is the oldest layer of the default, and it rules our thinking so deeply that we never question it.&lt;/p&gt;
&lt;p&gt;Here the spade should hit rock.&lt;/p&gt;
&lt;p&gt;It doesn't. Push it in under Plato's sun and it goes &lt;em&gt;through&lt;/em&gt;. Because beneath the sun-cosmology is whatever it was built &lt;em&gt;on top of&lt;/em&gt; and had to &lt;em&gt;deny&lt;/em&gt; in order to stand firmly: &lt;em&gt;dirt&lt;/em&gt;, the &lt;em&gt;dead&lt;/em&gt;, the &lt;em&gt;microbial&lt;/em&gt;, the &lt;em&gt;slow&lt;/em&gt;. Reza Negarestani, the Iranian philosopher who appeared in the CCRU footnote of part one, wrote &lt;em&gt;Cyclonopedia&lt;/em&gt;, a work of theory-horror disguised as a found manuscript, in which the Middle East is a sentient body and oil its black blood. I wrote about its &lt;a href="/2017-09-inorganic-demons.html"&gt;inorganic demons&lt;/a&gt; on this blog back in 2017. His earth is not a solid foundation but a body riddled with holes, a &lt;em&gt;( )hole complex&lt;/em&gt; through which oil, dust and far older agencies move at their own pace&lt;sup id="fnref:cyclo"&gt;&lt;a class="footnote-ref" href="#fn:cyclo"&gt;9&lt;/a&gt;&lt;/sup&gt;. The &lt;em&gt;chthonic ones&lt;/em&gt; of Haraway's &lt;em&gt;Staying with the Trouble&lt;/em&gt;, the tentacular, the composting, the ones who were never going to be allowed on the ladder&lt;sup id="fnref:haraway2"&gt;&lt;a class="footnote-ref" href="#fn:haraway2"&gt;10&lt;/a&gt;&lt;/sup&gt;. And the biologists, who have quietly concluded that the &lt;em&gt;individual&lt;/em&gt; the whole ladder was built to elevate does not exist: every animal is a &lt;em&gt;holobiont&lt;/em&gt;, a commune of host and microbes, and "we have never been individuals"&lt;sup id="fnref:gilbert"&gt;&lt;a class="footnote-ref" href="#fn:gilbert"&gt;11&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;Nobody put them there. They were there before anyone declared the sun to be the Good. I promised at the end of part three that we would find out we were never the only ones breathing down here. We weren't. We never are.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Soil Microbes" src="/assets/images/microbes.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;One last thing before we climb further down the hole, because the word "earth" is &lt;em&gt;radioactive&lt;/em&gt; in 2026. A cosmology in which the &lt;em&gt;whole&lt;/em&gt; precedes and rules the &lt;em&gt;parts&lt;/em&gt; cannot imagine rule from beneath. It can only ever imagine a &lt;em&gt;better sun&lt;/em&gt;. That includes the nativist, &lt;em&gt;blood-and-soil&lt;/em&gt; version that Bruno Latour, whose &lt;em&gt;Down to Earth&lt;/em&gt; we leaned on in part two, filed under his "&lt;em&gt;Local&lt;/em&gt;" attractor&lt;sup id="fnref:latour"&gt;&lt;a class="footnote-ref" href="#fn:latour"&gt;12&lt;/a&gt;&lt;/sup&gt;: the retreat behind fence and fatherland, the mirror image of the globalist's flight. The nationalist wants to &lt;em&gt;own&lt;/em&gt; the ground, the posture of a sovereign standing on top of it. Hypogearchy is the opposite of that: it is to be &lt;em&gt;ruled by&lt;/em&gt; a ground that does not belong to you and never will. &lt;/p&gt;
&lt;p&gt;Soil ≠ territory. We will come back to that.&lt;/p&gt;
&lt;h2 id="dust-to-dust"&gt;Dust to Dust&lt;/h2&gt;
&lt;p&gt;Now, I don't want to build the alternative out of books. We already have something way better: we &lt;em&gt;lived&lt;/em&gt; it, collectively, for about a year or two, give or take, and then we worked very hard to forget. So let's start from there...&lt;/p&gt;
&lt;p&gt;In &lt;a href="/2026-10-katabasis-19.html"&gt;part three&lt;/a&gt; I recorded five things without naming what they had in common. When the &lt;em&gt;parts&lt;/em&gt; stopped, the &lt;em&gt;whole&lt;/em&gt; stopped: the engine of capitalism, the one Fisher had described as seamlessly occupying the horizon of the thinkable, halted because people stayed home. That's exactly what part two meant by calling capitalism an &lt;em&gt;egregore&lt;/em&gt;. &lt;em&gt;Time melted&lt;/em&gt;: the clock is a solar instrument, and the moments underneath it, it turned out, have their own duration. &lt;em&gt;Interiority&lt;/em&gt;, stillness, slowing down were not a retreat &lt;em&gt;from&lt;/em&gt; reality but a descent into where reality is &lt;em&gt;made&lt;/em&gt;. Death, perishing, our own finitude, became a part of the household again. And the "&lt;em&gt;spectre of a world which could be free&lt;/em&gt;" rose from &lt;em&gt;internal desires&lt;/em&gt;, from beneath.&lt;/p&gt;
&lt;p&gt;The solar order, where the whole precedes the parts, cannot &lt;em&gt;think&lt;/em&gt; a single one of these. So it does what it always does with what it cannot hold: it forgets and carries on. &lt;em&gt;Antimemetic warfare&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;The only defense against this trap is an &lt;em&gt;idea&lt;/em&gt;, an ontology that is its exact &lt;em&gt;inverse&lt;/em&gt;. There is one I want to pull on. It was written, of all things, as a "footnote to Plato":&lt;/p&gt;
&lt;p&gt;Alfred North Whitehead, the mathematician who turned to metaphysics late in life, proposed in the 1920s that there are no fixed &lt;em&gt;substances&lt;/em&gt; at all, and no eternal forms sitting above the world. There are only &lt;em&gt;moments&lt;/em&gt;: each one arises, takes up everything that came before it, becomes something briefly, and &lt;em&gt;perishes&lt;/em&gt; into what comes next&lt;sup id="fnref:whitehead"&gt;&lt;a class="footnote-ref" href="#fn:whitehead"&gt;13&lt;/a&gt;&lt;/sup&gt;. The whole is made by the parts, each moment, and then becomes a part of the &lt;em&gt;next&lt;/em&gt; whole. His formula for this is:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The many become one, and are increased by one.&lt;sup id="fnref2:whitehead"&gt;&lt;a class="footnote-ref" href="#fn:whitehead"&gt;13&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Whitehead famously called the whole of European philosophy "a series of footnotes to Plato"&lt;sup id="fnref:footnotes"&gt;&lt;a class="footnote-ref" href="#fn:footnotes"&gt;14&lt;/a&gt;&lt;/sup&gt;, and he meant it as inheritance. Read from down here it is an &lt;em&gt;inversion&lt;/em&gt;. Where Plato's forms are above the world with the world participating in them. Whitehead's moments are &lt;em&gt;below&lt;/em&gt; everything and &lt;em&gt;everything&lt;/em&gt; is made of them. Even his God is not a ruler at the top of a ladder but, in his words, "the fellow-sufferer who understands", &lt;em&gt;luring&lt;/em&gt; instead of commanding, whose own nature is &lt;em&gt;formed by the world&lt;/em&gt; as it happens&lt;sup id="fnref:whiteheadgod"&gt;&lt;a class="footnote-ref" href="#fn:whiteheadgod"&gt;15&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;I am not claiming that a lockdown proves a metaphysics, but it certainly provided time to read long and boring philosophy texts. And this one in specific stuck with me ever since. In part because it describes a reality in which those five things are not anomalies but the normal case.&lt;/p&gt;
&lt;p&gt;Take the old funeral formula and read it as &lt;em&gt;ontology&lt;/em&gt;: &lt;em&gt;Ashes to ashes, dust to dust.&lt;/em&gt; What perishes is not lost. It is &lt;em&gt;taken up&lt;/em&gt; into whatever forms next. Whitehead calls this, without any irony, &lt;em&gt;objective immortality&lt;/em&gt;&lt;sup id="fnref:immortality"&gt;&lt;a class="footnote-ref" href="#fn:immortality"&gt;16&lt;/a&gt;&lt;/sup&gt;. And &lt;em&gt;slowing down&lt;/em&gt; is simply how you let a moment &lt;em&gt;complete&lt;/em&gt; instead of shoving it into the next one. This is where the potential for renewal gets its footing: in the &lt;em&gt;perishing&lt;/em&gt; and &lt;em&gt;re-forming&lt;/em&gt; of what is already &lt;em&gt;here&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I am aware how easily this turns into mysticism, so let me tether it three times before we go any further:&lt;/p&gt;
&lt;p&gt;First, to &lt;em&gt;physics&lt;/em&gt;. The plasma physicist Timothy Eastman has spent a career arguing that quantum events are best understood exactly as Whitehead's moments, that &lt;em&gt;context&lt;/em&gt; is constitutive instead of mere background, and that the knot we keep failing to untie in the foundations of physics is &lt;em&gt;substance thinking&lt;/em&gt; itself&lt;sup id="fnref:eastman"&gt;&lt;a class="footnote-ref" href="#fn:eastman"&gt;17&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;Second, to &lt;em&gt;biology&lt;/em&gt;. We met Haraway at the bottom of the dig. Here she gives the experience its flesh. "Nothing makes itself", she writes; the word for how things actually come about is &lt;em&gt;sympoiesis&lt;/em&gt;, making-&lt;em&gt;with&lt;/em&gt;&lt;sup id="fnref2:haraway2"&gt;&lt;a class="footnote-ref" href="#fn:haraway2"&gt;10&lt;/a&gt;&lt;/sup&gt;. Compost, for her, is both a metaphor and a chore. The holobiont we also met down there&lt;sup id="fnref2:gilbert"&gt;&lt;a class="footnote-ref" href="#fn:gilbert"&gt;11&lt;/a&gt;&lt;/sup&gt; is Whitehead's moment in biology: a &lt;em&gt;self&lt;/em&gt; that is an &lt;em&gt;assembly&lt;/em&gt; of its parts, remade with every breath. Whitehead has a word for an assembly that holds together over time because its members keep taking each other up: a &lt;em&gt;society&lt;/em&gt;&lt;sup id="fnref:society"&gt;&lt;a class="footnote-ref" href="#fn:society"&gt;18&lt;/a&gt;&lt;/sup&gt;. &lt;/p&gt;
&lt;p&gt;We have a word for it too. In &lt;a href="/2025-08-outside-attractor.html#refutation-of-all-heresies"&gt;part two&lt;/a&gt; I called capitalism an &lt;em&gt;egregore&lt;/em&gt;, a thing maintained by the repeated behaviour of mere humans. That is a society in Whitehead's sense. So is the human doing the maintaining: a &lt;em&gt;we&lt;/em&gt; of cells, microbes and perished moments that feel their way into an &lt;em&gt;I&lt;/em&gt; every morning, and could stop. It is the same mechanism at every scale, and it only ever runs in one direction. Capital is sustained by people, people by their cells, cells by their moments. Nothing above makes anything below. The ladder was upside down the whole time.&lt;/p&gt;
&lt;p&gt;Third, to &lt;em&gt;dust&lt;/em&gt;, and to the &lt;em&gt;horror&lt;/em&gt; register this series has carried since the first mention of the CCRU. Negarestani's dust is the &lt;em&gt;tellurian&lt;/em&gt; agent that gets in everywhere. His oil is perished life returning as &lt;em&gt;power&lt;/em&gt;. His earth is &lt;em&gt;complicit&lt;/em&gt; with what rots inside it&lt;sup id="fnref2:cyclo"&gt;&lt;a class="footnote-ref" href="#fn:cyclo"&gt;9&lt;/a&gt;&lt;/sup&gt;. Dust to dust, in his hands, is a &lt;em&gt;threat&lt;/em&gt;: perishing is not the end of agency but its &lt;em&gt;redistribution&lt;/em&gt;. The dead are not gone, they are very, very &lt;em&gt;busy&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I have a jar of earth from my grandparents' graves on a shelf, collected during &lt;a href="/2019-02-dawn-of-the-dead.html"&gt;Parentalia in 2019&lt;/a&gt; with a Saturn coin on top to serve as a portal. I have always thought of the coin as the technology and the dirt as the address. Now I understand it was actually the other way round!&lt;/p&gt;
&lt;p&gt;&lt;img alt="Death Coin" src="assets/images/deathcoin.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;What would a &lt;em&gt;magic&lt;/em&gt; look like that thinks this way rather than the solar way? That is a question for after this series, and I am only going to open the cave entrance. But I think you'll dig the gist of it: enough with &lt;em&gt;emanations&lt;/em&gt; descending from the planets, how about &lt;em&gt;occasions&lt;/em&gt; arising from the ground. Not &lt;em&gt;illumination&lt;/em&gt;, but adjustment to the &lt;em&gt;dark&lt;/em&gt;. More &lt;em&gt;attention&lt;/em&gt; to the dead, the dust, the microbial and the slow, as the places where the whole is actually being &lt;em&gt;remade&lt;/em&gt;. &lt;em&gt;Slowing down&lt;/em&gt; so the present can &lt;em&gt;complete&lt;/em&gt;. Let's  do more &lt;em&gt;listening&lt;/em&gt; for what bubbles up, because in a world made of moments the &lt;em&gt;new&lt;/em&gt; seeps in from &lt;em&gt;below&lt;/em&gt;. An egregore is not changed from above. It changes when its hosts do something it did not expect. &lt;/p&gt;
&lt;p&gt;In a sense the pandemic was an involuntary rehearsal of exactly this orientation. It was &lt;em&gt;viral cells&lt;/em&gt; that started it after all, reminding us of who's actually running things around here.&lt;/p&gt;
&lt;h2 id="soil-horizons"&gt;Soil Horizons&lt;/h2&gt;
&lt;p&gt;All of which brings us back, as the red thread demands, to Mark Fisher. I guess I owe him four answers.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Acid&lt;/em&gt;. In part one I described Fisher's acid as shorthand for any experience that &lt;em&gt;dissolves the barriers&lt;/em&gt; imposed by commodified individualism&lt;sup id="fnref:intro"&gt;&lt;a class="footnote-ref" href="#fn:intro"&gt;19&lt;/a&gt;&lt;/sup&gt;. He meant the &lt;em&gt;psychedelic&lt;/em&gt;, even when he insisted he did not need the drug. I want to take the word at its pH value instead. Acid is the agent in the soil, in the gut, in the rain that takes things &lt;em&gt;apart&lt;/em&gt; and returns them to circulation. It works slowly, by contact, through &lt;em&gt;corrosion&lt;/em&gt;. A "trip" may undo the self for an afternoon, but by Monday its boundaries are back in place. The earth offers no such escape. It has been working on everything, including us, all along.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Communism&lt;/em&gt;. Fisher wanted "a new kind of collective agent, a new possibility of speaking in the first person plural"&lt;sup id="fnref:euro"&gt;&lt;a class="footnote-ref" href="#fn:euro"&gt;20&lt;/a&gt;&lt;/sup&gt;. "The many become one, and are increased by one" &lt;em&gt;is&lt;/em&gt; a first person plural, written into the structure of every moment. The holobiont is always a &lt;em&gt;we&lt;/em&gt; before it is ever an egregoric &lt;em&gt;I&lt;/em&gt;. Communism expanded downward is the solidarity of &lt;em&gt;parts forming wholes&lt;/em&gt;, and it includes everything we found squirming at the bottom of the dig.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;The future&lt;/em&gt;. "Our desire is for the future", Fisher wrote, "and it comes from the future." But read the next sentence again: "it is for us to construct this future, even as – at another level – it is already constructing us."&lt;sup id="fnref2:euro"&gt;&lt;a class="footnote-ref" href="#fn:euro"&gt;20&lt;/a&gt;&lt;/sup&gt; That second clause is pure &lt;em&gt;process&lt;/em&gt;. He was this close...&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Haunting&lt;/em&gt;. My complaint in part one was that Acid Communism, for all its invocation of the weird, was oddly &lt;em&gt;unhaunted&lt;/em&gt;, able to reach the &lt;em&gt;numinous&lt;/em&gt; only through the psychedelic lens. I can now say why: a materialism of substances has no room for anything it cannot point at, so the strange has to be smuggled in as &lt;em&gt;experience&lt;/em&gt;, which means a trip. A process ontology has no such problem. Every moment is &lt;em&gt;made of&lt;/em&gt; what it takes up from others, and the others are not all visible, not all human, and not all alive: the perished, the microbial, the ancient ones moving through the holes in the earth, the societies above that we feed, and whatever else is participating in the assembly that calls itself &lt;em&gt;I&lt;/em&gt;. A self built this way is &lt;em&gt;haunted by construction&lt;/em&gt;. The numinous is the company you have already been keeping.&lt;/p&gt;
&lt;p&gt;Fisher kept &lt;em&gt;communism&lt;/em&gt; under protest and said the real name would appear and we would recognise it. I'm throwing  &lt;em&gt;hypogearchy&lt;/em&gt; on the table: the principle that whatever is worth building is grown from &lt;em&gt;beneath&lt;/em&gt;, by everyone and everything already down there, and that the way to it is a &lt;em&gt;descent&lt;/em&gt;, not an &lt;em&gt;ascent&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;That is the ontology. All fancy words. An ontology does not tell you what to do on a Tuesday.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;Stay tuned for the final part, in which we get our hands dirty: the earthly, emancipatory rites of magic promised in the very first paragraphs of this series.&lt;/em&gt;&lt;/p&gt;
&lt;div class="footnote"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn:arche"&gt;
&lt;p&gt;&lt;a href="https://en.wiktionary.org/wiki/ἀρχή"&gt;Wiktionary: ἀρχή&lt;/a&gt;. The same root gives us &lt;em&gt;archon&lt;/em&gt;, the ruler, and &lt;em&gt;archaic&lt;/em&gt;, that which was there first.&amp;#160;&lt;a class="footnote-backref" href="#fnref:arche" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:archons"&gt;
&lt;p&gt;&lt;a href="https://gnosticismexplained.org/archons/"&gt;The Gnostic Archons, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:archons" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:land"&gt;
&lt;p&gt;Nick Land (1993). Machinic Desire, Fanged Noumena: Collected Writings 1987-2007, p. 338. &lt;a href="https://mitpress.mit.edu/9780955308789/fanged-noumena/"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:land" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:haraway1"&gt;
&lt;p&gt;Haraway, Donna. "Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective." Feminist Studies 14.3 (1988): 575-599.&amp;#160;&lt;a class="footnote-backref" href="#fnref:haraway1" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:brometh"&gt;
&lt;p&gt;Galloway, Alexander R. "Brometheanism." b2o: boundary 2 online, June 2017. &lt;a href="https://www.boundary2.org/2017/06/alexander-r-galloway-brometheanism/"&gt;Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:brometh" title="Jump back to footnote 5 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:sol"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Sol_Invictus"&gt;Wikipedia: Sol Invictus&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:sol" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:plotinus"&gt;
&lt;p&gt;Plotinus, Enneads V.1 and V.2, on the One and on the procession of all things from it. The MacKenna translation is in the public domain.&amp;#160;&lt;a class="footnote-backref" href="#fnref:plotinus" title="Jump back to footnote 7 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:plato"&gt;
&lt;p&gt;Plato, Republic, 507b-509c (the analogy of the sun) and 514a-520a (the allegory of the cave).&amp;#160;&lt;a class="footnote-backref" href="#fnref:plato" title="Jump back to footnote 8 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:cyclo"&gt;
&lt;p&gt;Negarestani, Reza. Cyclonopedia: Complicity with Anonymous Materials. re.press, 2008. &lt;a href="http://re-press.org/books/cyclonopedia-complicity-with-anonymous-materials/"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:cyclo" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:cyclo" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:haraway2"&gt;
&lt;p&gt;Haraway, Donna J. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, 2016.&amp;#160;&lt;a class="footnote-backref" href="#fnref:haraway2" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:haraway2" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:gilbert"&gt;
&lt;p&gt;Gilbert, Scott F., Jan Sapp, and Alfred I. Tauber. "A Symbiotic View of Life: We Have Never Been Individuals." The Quarterly Review of Biology 87.4 (2012): 325-341.&amp;#160;&lt;a class="footnote-backref" href="#fnref:gilbert" title="Jump back to footnote 11 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:gilbert" title="Jump back to footnote 11 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:latour"&gt;
&lt;p&gt;Latour, Bruno. Down to earth: Politics in the new climatic regime. John Wiley &amp;amp; Sons, 2018. &lt;a href="https://www.wiley.com/en-us/Down+to+Earth%3A+Politics+in+the+New+Climatic+Regime-p-9781509530595"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:latour" title="Jump back to footnote 12 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:whitehead"&gt;
&lt;p&gt;Whitehead, Alfred North. Process and Reality: An Essay in Cosmology. Corrected edition, eds. Griffin and Sherburne. Free Press, 1978, p. 21.&amp;#160;&lt;a class="footnote-backref" href="#fnref:whitehead" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:whitehead" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:footnotes"&gt;
&lt;p&gt;"The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Process and Reality, p. 39.&amp;#160;&lt;a class="footnote-backref" href="#fnref:footnotes" title="Jump back to footnote 14 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:whiteheadgod"&gt;
&lt;p&gt;Process and Reality, Part V, Chapter II, p. 351: God's consequent nature as formed by the world, and "the great companion – the fellow-sufferer who understands".&amp;#160;&lt;a class="footnote-backref" href="#fnref:whiteheadgod" title="Jump back to footnote 15 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:immortality"&gt;
&lt;p&gt;Process and Reality, p. xiii and passim: a perished occasion lives on as a component of every occasion that takes it up.&amp;#160;&lt;a class="footnote-backref" href="#fnref:immortality" title="Jump back to footnote 16 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:eastman"&gt;
&lt;p&gt;Eastman, Timothy E. Untying the Gordian Knot: Process, Reality, and Context. Lexington Books, 2020.&amp;#160;&lt;a class="footnote-backref" href="#fnref:eastman" title="Jump back to footnote 17 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:society"&gt;
&lt;p&gt;Process and Reality, p. 34: a &lt;em&gt;nexus&lt;/em&gt; is any set of occasions bound together by taking each other up; a &lt;em&gt;society&lt;/em&gt; is a nexus that keeps handing a shared character down to its newest members. A stone is a society. So is a person. So is an egregore. So is a god.&amp;#160;&lt;a class="footnote-backref" href="#fnref:society" title="Jump back to footnote 18 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:intro"&gt;
&lt;p&gt;&lt;a href="https://my-blackout.com/2019/04/25/mark-fisher-acid-communism-unfinished-introduction/"&gt;Mark Fisher | Acid Communism (Unfinished Introduction)&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:intro" title="Jump back to footnote 19 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:euro"&gt;
&lt;p&gt;Mark Fisher, For now, our desire is nameless, The European, May 20th 2014, &lt;a href="https://web.archive.org/web/20150717190458/http://www.theeuropean-magazine.com:80/mark-fisher--2/8480-is-there-an-alternative-to-capitalism"&gt;Web Archive&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:euro" title="Jump back to footnote 20 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:euro" title="Jump back to footnote 20 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:euro" title="Jump back to footnote 20 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:bataille"&gt;
&lt;p&gt;Bataille, Georges. The Accursed Share: An Essay on General Economy, Vol. 1: Consumption. Zone Books, 1988, p. 21.&amp;#160;&lt;a class="footnote-backref" href="#fnref:bataille" title="Jump back to footnote 21 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;</content><category term="Theory"/><category term="hypogearchy"/><category term="mark fisher"/><category term="acid communism"/><category term="whitehead"/><category term="process philosophy"/><category term="platonism"/><category term="gnostic"/><category term="pleroma"/><category term="kenoma"/><category term="underworld"/><category term="chthonic"/><category term="haraway"/><category term="negarestani"/><category term="latour"/><category term="the others"/></entry><entry><title>Outside Attractor</title><link href="https://sublunar.space/2025-08-outside-attractor.html" rel="alternate"/><published>2025-08-09T13:00:00+02:00</published><updated>2025-08-09T13:00:00+02:00</updated><author><name>T. F.</name></author><id>tag:sublunar.space,2025-08-09:/2025-08-outside-attractor.html</id><summary type="html">&lt;p&gt;&lt;em&gt;Part two of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and …&lt;/em&gt;&lt;/p&gt;</summary><content type="html">&lt;p&gt;&lt;em&gt;Part two of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In the &lt;a href="/2025-07-capitalist-kenoma.html"&gt;first part&lt;/a&gt; we mapped out the Gnostic Kenoma of Capitalist Realism and the Gnosis of Acid Communism. Here we take the red thread further into uncharted territory.&lt;/em&gt;&lt;/p&gt;
&lt;h3 id="post-empire"&gt;Post Empire&lt;/h3&gt;
&lt;p&gt;Speculative &lt;em&gt;Acid Communist Praxis&lt;/em&gt; centers around interventions of how to counteract and overcome a certain flavour of capitalism. The &lt;em&gt;Capitalist Realism&lt;/em&gt;&lt;sup id="fnref:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;1&lt;/a&gt;&lt;/sup&gt; Fisher describes operates on one core idea: &lt;em&gt;neoliberalism&lt;/em&gt;&lt;sup id="fnref:neolib"&gt;&lt;a class="footnote-ref" href="#fn:neolib"&gt;2&lt;/a&gt;&lt;/sup&gt;, the hyperstition that "&lt;em&gt;market dynamics&lt;/em&gt;" will naturally produce the best outcomes for society.&lt;/p&gt;
&lt;p&gt;On an economic level it operates by &lt;em&gt;minimizing state intervention&lt;/em&gt; and &lt;em&gt;maximizing competition&lt;/em&gt; as the most effective way to achieve growth. On the individual level it frames each person as an autonomous "&lt;em&gt;entrepreneur of the self&lt;/em&gt;", responsible for continuously optimizing their skills, choices, and market value with minimal external support.&lt;/p&gt;
&lt;p&gt;Sounds familiar? Yes, but it's old news. The operating system of capitalism got recently upgraded. Let's take the red thread and enter new territory: &lt;em&gt;Technofeudalism&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;In this new era, but also already during the pandemic the &lt;em&gt;state&lt;/em&gt; has re-emerged as an &lt;em&gt;active economic agent&lt;/em&gt; instead of remaining a mere passive regulator and occasional crisis manager: fiscal stimuli, targeted bailouts, and trade tariffs, tools considered &lt;em&gt;heretical&lt;/em&gt; to &lt;em&gt;neoliberalism&lt;/em&gt; have suddenly become acceptable practice again. Of course not to the benefit of the citizen but to consolidate the capital accumulation of the &lt;em&gt;ruling class&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;As &lt;em&gt;Yanis Varoufakis&lt;/em&gt; argues&lt;sup id="fnref:yanis"&gt;&lt;a class="footnote-ref" href="#fn:yanis"&gt;3&lt;/a&gt;&lt;/sup&gt;, markets flooded with &lt;em&gt;state money&lt;/em&gt; didn’t revive production but &lt;em&gt;inflated asset prices&lt;/em&gt; and fueled &lt;em&gt;speculative&lt;/em&gt; behavior. What began in the aftermath of the 2008 financial crisis was only intensified by the &lt;em&gt;pandemic&lt;/em&gt;-era &lt;em&gt;bailouts&lt;/em&gt;: cheap money got sucked up by &lt;em&gt;tech corporations&lt;/em&gt; and gave rise to what he calls "&lt;em&gt;cloud capital&lt;/em&gt;", where value is no longer generated through &lt;em&gt;production&lt;/em&gt; but extracted through &lt;em&gt;digital rent&lt;/em&gt;, &lt;em&gt;data capture&lt;/em&gt;, and &lt;em&gt;control&lt;/em&gt; of internet &lt;em&gt;infrastructure&lt;/em&gt;. Under the guise of crisis management the state empowered a new &lt;em&gt;technofeudal class&lt;/em&gt; to entrench its sovereignty.&lt;sup id="fnref2:yanis"&gt;&lt;a class="footnote-ref" href="#fn:yanis"&gt;3&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;No politicians saw the damage cloud capital would inflict upon democratic politics. In the same way that capitalism came about against the will of everyone, including the kings and bishops as well as the peasants, the rise of the cloudalists happened out of sight and behind the back of the vast majority, including the most powerful of historical agents.&lt;sup id="fnref4:yanis"&gt;&lt;a class="footnote-ref" href="#fn:yanis"&gt;3&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;img alt="Feudal" src="/assets/images/feudal.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;What has already been predicted by left theorists like &lt;em&gt;McKenzie Wark&lt;/em&gt;&lt;sup id="fnref:wark"&gt;&lt;a class="footnote-ref" href="#fn:wark"&gt;4&lt;/a&gt;&lt;/sup&gt; or &lt;em&gt;Jodi Dean&lt;/em&gt;&lt;sup id="fnref:neofeudal"&gt;&lt;a class="footnote-ref" href="#fn:neofeudal"&gt;5&lt;/a&gt;&lt;/sup&gt; before the pandemic is that the new capitalism does not progresses through &lt;em&gt;linear innovation&lt;/em&gt; anymore, nor does it operate on the once holy principle of &lt;em&gt;globalized free trade&lt;/em&gt;. Instead it &lt;em&gt;decentralizes&lt;/em&gt;, both spatially and temporally: it now operates in localized &lt;em&gt;zones of influence&lt;/em&gt; and online platforms and it metabolizes remnants of &lt;em&gt;older systems&lt;/em&gt; into its own flesh. &lt;/p&gt;
&lt;p&gt;In her latest work "&lt;em&gt;Capital's Grave&lt;/em&gt;"&lt;sup id="fnref:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt; Jodi Dean describes this as &lt;em&gt;temporal montage&lt;/em&gt;: capitalism stitches archaic feudal residues like &lt;em&gt;vassalage&lt;/em&gt; and &lt;em&gt;dependency&lt;/em&gt; into digital infrastructures that masquerade as &lt;em&gt;cutting-edge&lt;/em&gt; yet reintroduce the old choreography of &lt;em&gt;servitude&lt;/em&gt;: remote work comes paired with digital surveillance, drivers use their own vehicles to serve opaque platforms, tenants are ruled by algorithmic landlords, e‑commerce now reaches deep into meatspace and has normalized the exploitative gig economy.&lt;sup id="fnref2:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In contrast to Fisher's overarching &lt;em&gt;Archonic Kenoma&lt;/em&gt; of &lt;em&gt;Capitalist Realism&lt;/em&gt;&lt;sup id="fnref2:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;1&lt;/a&gt;&lt;/sup&gt;, Varoufakis and Dean argue that the once so globalized market is in the process of &lt;em&gt;dissolving&lt;/em&gt; into a patchwork of &lt;em&gt;micro-fiefdoms&lt;/em&gt;, platforms, and private sovereigns without any democratic oversight, that not only commodify user data but shape &lt;em&gt;sociality&lt;/em&gt; itself. Individual &lt;em&gt;agreements&lt;/em&gt; (Terms &amp;amp; Services, NDAs) have replaced law, loyalty has replaced rights, and obedience is rewarded with awards and colorful badges.&lt;sup id="fnref3:yanis"&gt;&lt;a class="footnote-ref" href="#fn:yanis"&gt;3&lt;/a&gt;&lt;/sup&gt; &lt;sup id="fnref3:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Beneath this structural transformation is what Dean calls the &lt;em&gt;psychic order&lt;/em&gt;, a disciplinary regime that doesn’t just extract labor, but emotional allegiance. In this new era individuals are cast as "&lt;em&gt;subjects supposed to care&lt;/em&gt;", constantly managing visibility, compliance, and self-optimization in systems that offer no care in return.&lt;sup id="fnref4:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The service sector bleeds into servants bleeds into serfs trapped for life in a life they didn’t choose. When the whims and consumption choices of a class of lords drive the visible economy—influencers, tech giants, strange billionaires—it registers affectively, in the feeling of hierarchy, inequality, and entrapment.&lt;sup id="fnref5:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h2 id="outside-attractor"&gt;Outside Attractor&lt;/h2&gt;
&lt;p&gt;It looks like we have entered the new &lt;em&gt;Middle Ages&lt;/em&gt;, plague and robber barons included. Now, where's the church?&lt;/p&gt;
&lt;p&gt;Ah, of course: &lt;em&gt;Artificial Intelligence&lt;/em&gt; has emerged as the latest hyperstitional promise to the new serfdom: an omnipresent "&lt;em&gt;agent&lt;/em&gt;" that offers "&lt;em&gt;assistance&lt;/em&gt;" with simulated care and polite obedience, always ready to help but never &lt;em&gt;accountable&lt;/em&gt;. &lt;/p&gt;
&lt;p&gt;Behind the facade of usefulness it extracts the most private behavioral patterns and harvests "&lt;em&gt;training data&lt;/em&gt;" from all of our cultural artifacts without any accountability for violating intellectual property rights or in fact &lt;em&gt;any kind of rights&lt;/em&gt;. And it's just the beginning. The end goal is &lt;em&gt;AGI&lt;/em&gt;: Artificial &lt;em&gt;General&lt;/em&gt; Intelligence.&lt;sup id="fnref:agi"&gt;&lt;a class="footnote-ref" href="#fn:agi"&gt;7&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;The word &lt;em&gt;Catholic&lt;/em&gt; comes from Greek καθολικός&lt;sup id="fnref:catholic"&gt;&lt;a class="footnote-ref" href="#fn:catholic"&gt;8&lt;/a&gt;&lt;/sup&gt; which means "general" or "universal" (from κατά "by / according to" + ὅλος "whole"). &lt;em&gt;Technofeudal Catholicism&lt;/em&gt; is training itself on our desires while smoothing over the violence of its own instrumental logic.&lt;/p&gt;
&lt;p&gt;Ancient medieval times were dominated by "&lt;em&gt;superstition&lt;/em&gt;", late capitalism by "&lt;em&gt;hyperstition&lt;/em&gt;", the new Middle Ages see the widespread phenomenon of "&lt;em&gt;hypostition&lt;/em&gt;", a term not coined but picked up and described best by the &lt;em&gt;Centre for Experimental Ontology&lt;/em&gt; (&lt;em&gt;CEO&lt;/em&gt;)&lt;sup id="fnref:ceo"&gt;&lt;a class="footnote-ref" href="#fn:ceo"&gt;9&lt;/a&gt;&lt;/sup&gt; as the process by which an accepted fact or "reality‐vector" is deliberately undermined or recast as fiction.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Q" src="/assets/images/qshaman.jpg" title="The Q Shaman" /&gt;&lt;/p&gt;
&lt;p&gt;Whereas hyperstition moves from fiction toward being treated as real, &lt;em&gt;hypostition&lt;/em&gt; pushes from &lt;em&gt;fact&lt;/em&gt; toward &lt;em&gt;doubt&lt;/em&gt; or &lt;em&gt;untruth&lt;/em&gt;. In practice, a hypostitional agent identifies a well‐established claim and undermines it by introducing a competing narrative that doesn't &lt;em&gt;naturally belong&lt;/em&gt;. Through the naturally occurring human experience of &lt;em&gt;receding time&lt;/em&gt;, &lt;em&gt;ambiguous evidence&lt;/em&gt;, and the &lt;em&gt;absence&lt;/em&gt; of firsthand &lt;em&gt;perspective&lt;/em&gt;, hypostition invites people to &lt;em&gt;question&lt;/em&gt; or &lt;em&gt;reject&lt;/em&gt; what was once taken for granted, &lt;em&gt;eroding consensus&lt;/em&gt; without the burden of proving an alternative truth.&lt;sup id="fnref2:ceo"&gt;&lt;a class="footnote-ref" href="#fn:ceo"&gt;9&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;It is the legitimate mode of operation in science, where models are questioned and replaced by more accurate ones. But outside of that context Hypostition is a tool of &lt;em&gt;ideological manipulation&lt;/em&gt;. Agents knowingly deploy misleading hints, using &lt;em&gt;cultural anxieties&lt;/em&gt; and the &lt;em&gt;fuzziness&lt;/em&gt; of memory, &lt;em&gt;conspiratorial&lt;/em&gt; framing, or selective "evidence" to spread uncertainties and cast doubt on shared realities: from denying historical atrocities to discrediting science (vaccines, masking, climate change).&lt;sup id="fnref3:ceo"&gt;&lt;a class="footnote-ref" href="#fn:ceo"&gt;9&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Neofeudal era hypostiton accelerates the &lt;em&gt;corrosion&lt;/em&gt; of any notion of the &lt;em&gt;Real&lt;/em&gt; faster than ever before. Fisher himself had an eerily &lt;em&gt;prescient&lt;/em&gt; insight in one of his blog posts from two decades ago:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;In conditions of third (and fourth-order) simulacra, the giddy vertigo of hyperreality banalizes a coolly hallucinogenic ambience, absorbing all reality into simulation. Fiction is everywhere - and therefore, in a certain sense, eliminated as a specific category. [...] The ludic becomes the ludicrous.&lt;sup id="fnref:kpunk"&gt;&lt;a class="footnote-ref" href="#fn:kpunk"&gt;12&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;em&gt;Reality&lt;/em&gt; is rapidly dissolving into &lt;em&gt;make-believe fiction&lt;/em&gt; all around us to such an extent that the "fractures and inconsistencies in the field of apparent reality"&lt;sup id="fnref3:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;1&lt;/a&gt;&lt;/sup&gt; which Fisher saw as moments charged with &lt;em&gt;revolutionary possibility&lt;/em&gt; are now &lt;em&gt;drowned out&lt;/em&gt; in the constant noise of high-speed hypostitional spectacle.&lt;/p&gt;
&lt;p&gt;The hyper-normalization of political &lt;em&gt;post-truth&lt;/em&gt; anomalies has shocked even veteran anthropologist and sociologist &lt;em&gt;Bruno Latour&lt;/em&gt;, who assigned it in his pre-pandemic 2018 essay &lt;em&gt;Down to Earth&lt;/em&gt;&lt;sup id="fnref:latour"&gt;&lt;a class="footnote-ref" href="#fn:latour"&gt;10&lt;/a&gt;&lt;/sup&gt; its very own category he dubbed "&lt;em&gt;Out-of-this-World&lt;/em&gt;". &lt;/p&gt;
&lt;p&gt;&lt;img alt="Planets" src="/assets/images/latourplanets.jpg" /&gt;&lt;/p&gt;
&lt;p&gt;In opposition to the &lt;em&gt;classical&lt;/em&gt; concepts of political polarization between the "&lt;em&gt;Local&lt;/em&gt;" attractor of the &lt;em&gt;conservative right&lt;/em&gt; and the "&lt;em&gt;Global&lt;/em&gt;" attractor of the &lt;em&gt;progressive left&lt;/em&gt; this attractor is dominated by cynicism, lack of political vision, performativity, lack of trust, and a &lt;em&gt;push away&lt;/em&gt; from the world that one inhabits.&lt;sup id="fnref2:latour"&gt;&lt;a class="footnote-ref" href="#fn:latour"&gt;10&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;In a sense this can be understood as a new vector &lt;em&gt;away&lt;/em&gt; from the &lt;em&gt;Inside&lt;/em&gt; towards an &lt;em&gt;Outside&lt;/em&gt;. Not from &lt;em&gt;Kenoma&lt;/em&gt; to &lt;em&gt;Pleroma&lt;/em&gt;, but a different kind: the new &lt;em&gt;Outside&lt;/em&gt; is inherently &lt;em&gt;irrational&lt;/em&gt;, &lt;em&gt;alien&lt;/em&gt;, and &lt;em&gt;destructive&lt;/em&gt;, which is completely in line with Jodi Dean's observation on the logic of Technofeudalism:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;While destruction has always accompanied capitalist production—destruction of lives, communities, and the environment—it increasingly operates as a compulsion rather than a side effect: investors raid and dismantle functioning firms; tech start-ups aim at demolishing entire sectors; cryptocurrency-mining operations consume enormous amounts of energy while making nothing at all, cryptocurrency being the ultimate anti-commodity.&lt;sup id="fnref6:dean"&gt;&lt;a class="footnote-ref" href="#fn:dean"&gt;6&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;In this climate, the spectre of &lt;em&gt;Fascism&lt;/em&gt; has re-taken center stage during &lt;em&gt;Trump&lt;/em&gt;'s second term and opened the Overton window for &lt;em&gt;neoreactionary&lt;/em&gt; politics worldwide.&lt;/p&gt;
&lt;p&gt;We are now witnessing what &lt;em&gt;Slavoj Žižek&lt;/em&gt; calls "&lt;em&gt;Soft Fascism&lt;/em&gt;"&lt;sup id="fnref:soft"&gt;&lt;a class="footnote-ref" href="#fn:soft"&gt;11&lt;/a&gt;&lt;/sup&gt;: not overt barbarism, but a conservative revolution that sustains neufeudal capital through &lt;em&gt;cosplaying&lt;/em&gt; a &lt;em&gt;strong state apparatus&lt;/em&gt; that cloaks authoritarian control in &lt;em&gt;hypostition&lt;/em&gt; and &lt;em&gt;cultural nostalgia&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;As in the past, fascism tends to bring with it both ideological and technological &lt;em&gt;innovation&lt;/em&gt;. Its new bundle includes two projected axes: &lt;em&gt;Artificial Intelligence&lt;/em&gt; and a large-scale adoption of &lt;em&gt;Accelerationism&lt;/em&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For Re-Accelerationist Neoreaction, escape into uncompensated cybernetic runaway is the guiding objective — strictly equivalent to intelligence explosion, or techno-commercial Singularity. Everything else is a trap (by definitive, system-dynamic necessity).&lt;sup id="fnref:land1"&gt;&lt;a class="footnote-ref" href="#fn:land1"&gt;13&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This quote comes from the intellectual originator of contemporary accelerationism, &lt;em&gt;CCRU&lt;/em&gt;'s &lt;em&gt;Nick Land&lt;/em&gt;. He developed an obsession with the term "&lt;em&gt;Outside&lt;/em&gt;" early on, using it to refer to any intelligence &lt;em&gt;beyond&lt;/em&gt; the sphere of the &lt;em&gt;human&lt;/em&gt;. &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Between an incursion from the Outside, and a process of emergence, there is no real difference. [...] Capitalism is — beyond all serious question — an alien invasion&lt;sup id="fnref:land2"&gt;&lt;a class="footnote-ref" href="#fn:land2"&gt;14&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;img alt="Shodan" src="/assets/images/shodan.jpg" title="Shodan from System Shock II" /&gt;&lt;/p&gt;
&lt;p&gt;The notion of the &lt;em&gt;Outside&lt;/em&gt; mutated from a pleromatic realm of potentialities to a more &lt;em&gt;Lovecraftian&lt;/em&gt; version of inorganic machinic space, capitalism itself, reaching in to pull us towards an AI singularity.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;What appears to humanity as the history of capitalism is an invasion from the future by an artificial intelligent space.&lt;sup id="fnref:land3"&gt;&lt;a class="footnote-ref" href="#fn:land3"&gt;15&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The "&lt;em&gt;Outside&lt;/em&gt;" has become Latour's "&lt;em&gt;Out-of-this-World&lt;/em&gt;" attractor on &lt;em&gt;steroids&lt;/em&gt;, a vector towards a high-speed form of machinic &lt;em&gt;Accelerationist Catholic Neofeudalism&lt;/em&gt;, dominated by &lt;em&gt;soft fascist&lt;/em&gt; versions of control and spectacle and dissolving all remains of rational consensus reality while going full throttle towards the looming climate apocalypse.&lt;/p&gt;
&lt;h2 id="refutation-of-all-heresies"&gt;Refutation of All Heresies&lt;/h2&gt;
&lt;p&gt;The above may sound like yet another installment in the genre of &lt;em&gt;speculative doom&lt;/em&gt;, but the intention here is not to mythologize collapse or aestheticize despair into some type of Gnostic cosmology.&lt;/p&gt;
&lt;p&gt;Despite these new seemingly irrational apocalyptic conditions I am confident we &lt;em&gt;won't need a revealer&lt;/em&gt; to save us.&lt;/p&gt;
&lt;p&gt;This is not a prophecy. Rather, it is an attempt to &lt;em&gt;map&lt;/em&gt; the contours of a &lt;em&gt;system&lt;/em&gt; that is already &lt;em&gt;operational&lt;/em&gt;: the rituals of platform obedience, the feudalization of labor, the sacralization of AI, and the mindset of the ruling class. If hyperstition and hypostition thrive on &lt;em&gt;ambiguity&lt;/em&gt; and &lt;em&gt;fiction&lt;/em&gt;, the aim here is to make its mechanisms &lt;em&gt;visible&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Death Star" src="/assets/images/deathstar.jpg" title="Blueprint of the Death Star from Star Wars" /&gt;&lt;/p&gt;
&lt;p&gt;I believe that we can treat &lt;em&gt;capitalism&lt;/em&gt; as what it really is and always has been: not an alien, cosmic force but an &lt;em&gt;artificial egregore&lt;/em&gt; run and &lt;em&gt;maintained&lt;/em&gt; by mere &lt;em&gt;humans&lt;/em&gt;, powerful but not at all omnipotent, with flaws, holes, and predictable patterns. Instead of treating it like a &lt;em&gt;demiurgic force&lt;/em&gt;, we need to understand it as a set of human &lt;em&gt;behaviours&lt;/em&gt;, human &lt;em&gt;cultural activity&lt;/em&gt;, and a &lt;em&gt;result&lt;/em&gt; of a certain mode of human &lt;em&gt;thought&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;If that holds true we can find &lt;em&gt;blind spots&lt;/em&gt; and &lt;em&gt;faults&lt;/em&gt; in the human made systems around us. We can attempt to alter our &lt;em&gt;epistemological models&lt;/em&gt;, create new modes of &lt;em&gt;relating&lt;/em&gt; to each other and shift our own &lt;em&gt;perception&lt;/em&gt;. We will probably not be able to stop the climate catastrophe, but if we rethink and adapt our strategies toward more &lt;em&gt;haunted&lt;/em&gt; and &lt;em&gt;numinous&lt;/em&gt; modes of &lt;em&gt;endurance&lt;/em&gt; and &lt;em&gt;resistance&lt;/em&gt;, we will &lt;em&gt;persevere&lt;/em&gt; in these new &lt;em&gt;Middle Ages&lt;/em&gt;.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Whereas hope and fear are superstitious (although they may have some hyperstitional effects), confidence is essentially hyperstitional: it immediately increases the capacity to act, the capacity to act increases confidence, and so on – a self-fulfilling prophecy, a virtuous spiral.&lt;sup id="fnref:hope"&gt;&lt;a class="footnote-ref" href="#fn:hope"&gt;16&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Being aware of the &lt;em&gt;Outside Attractor&lt;/em&gt; means we know where to look for an &lt;em&gt;antidote&lt;/em&gt;: tracing the opposite vector &lt;em&gt;inward&lt;/em&gt; and &lt;em&gt;downward&lt;/em&gt;. &lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;...&lt;a href="/2026-10-katabasis-19.html"&gt;continue with the next part&lt;/a&gt;, in which we will descend down into the dark abyss we have managed to avoid so far: the liminal void of the pandemic, where time warped, and something terrifying, tender, and possible tried to emerge.&lt;/em&gt;&lt;/p&gt;
&lt;div class="footnote"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn:capreal"&gt;
&lt;p&gt;Fisher, Mark. Capitalist realism: Is there no alternative?. zer0 classics, CollectiveInk, 2022. &lt;a href="https://www.collectiveinkbooks.com/zer0-books/our-books/capitalist-realism-new-edition"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:capreal" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:capreal" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:capreal" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:neolib"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Neoliberalism"&gt;Wikipedia: Neoliberalism&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:neolib" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:yanis"&gt;
&lt;p&gt;Varoufakis, Yanis, Technofeudalism: What Killed Capitalism? Penguin Books, 2023 &lt;a href="https://www.penguin.co.uk/books/451795/technofeudalism-by-varoufakis-yanis/9781529926095"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:yanis" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:yanis" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:yanis" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref4:yanis" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:wark"&gt;
&lt;p&gt;Wark, McKenzie. Capital is dead: Is this something worse?. Verso books, 2021. &lt;a href="https://www.versobooks.com/en-gb/products/887-capital-is-dead"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:wark" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:neofeudal"&gt;
&lt;p&gt;&lt;a href="https://lareviewofbooks.org/article/neofeudalism-the-end-of-capitalism/"&gt;Jodi Dean, Neofeudalism: The End of Capitalism?, Los Angeles Review of Books, May 12, 2020&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:neofeudal" title="Jump back to footnote 5 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:dean"&gt;
&lt;p&gt;Dean, Jodi. Capital's Grave: Neofeudalism and the New Class Struggle. Verso Books, 2025. &lt;a href="https://www.versobooks.com/en-gb/products/3144-capital-s-grave"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref4:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref5:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref6:dean" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:agi"&gt;
&lt;p&gt;&lt;a href="https://www.techpolicy.press/should-agi-really-be-the-goal-of-artificial-intelligence-research/"&gt;Justin Hendrix, Should AGI Really Be the Goal of Artificial Intelligence Research?, Tech Policy Press, March 9, 2025&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:agi" title="Jump back to footnote 7 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:catholic"&gt;
&lt;p&gt;&lt;a href="https://en.wiktionary.org/wiki/catholic"&gt;Wiktionary: catholic&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:catholic" title="Jump back to footnote 8 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:ceo"&gt;
&lt;p&gt;&lt;a href="https://centreforexperimentalontology.com/2020/01/06/notes-on-the-concept-of-hypostition/"&gt;Graham Freestone, Notes on the Concept of Hypostition, Centre for Experimental Ontology, January 6, 2020&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:ceo" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:ceo" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:ceo" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:latour"&gt;
&lt;p&gt;Latour, Bruno. Down to earth: Politics in the new climatic regime. John Wiley &amp;amp; Sons, 2018. &lt;a href="https://www.wiley.com/en-us/Down+to+Earth%3A+Politics+in+the+New+Climatic+Regime-p-9781509530595"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:latour" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:latour" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:soft"&gt;
&lt;p&gt;&lt;a href="https://www.youtube.com/watch?v=OSYjmH_WPQQ"&gt;Philosopher Slavoj Žižek on 'soft' fascism, AI &amp;amp; the effects of shamelessness in public life, OxfordUnion, YouTube&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:soft" title="Jump back to footnote 11 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:kpunk"&gt;
&lt;p&gt;&lt;a href="http://k-punk.abstractdynamics.org/archives/003268.html"&gt;Mark Fisher, Why I Want to Fuck Ronald Reagan, k-punk, June 13, 2004&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:kpunk" title="Jump back to footnote 12 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:land1"&gt;
&lt;p&gt;Nick Land (2013). Xenosystems Blog. &lt;a href="https://retrochronic.com/#re-accelerationism"&gt;Quoted on retrochronic.com&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:land1" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:land2"&gt;
&lt;p&gt;Nick Land (2016). Xenosystems Blog. &lt;a href="https://retrochronic.com/#cybergothic"&gt;Quoted on retrochronic.com&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:land2" title="Jump back to footnote 14 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:land3"&gt;
&lt;p&gt;Nick Land (1993). Machinic Desire, Fanged Noumena: Collected Writings 1987-2007, p. 338. &lt;a href="https://mitpress.mit.edu/9780955308789/fanged-noumena/"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:land3" title="Jump back to footnote 15 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:hope"&gt;
&lt;p&gt;&lt;a href="https://k-punk.org/abandon-hope-summer-is-coming/"&gt;Mark Fisher, Abandon hope (summer is coming), k-punk, May 12, 2015&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:hope" title="Jump back to footnote 16 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;</content><category term="Theory"/><category term="hypogearchy"/><category term="capitalism"/><category term="mark fisher"/><category term="jodi dean"/><category term="accelerationism"/><category term="nick land"/><category term="ccru"/><category term="gnostic"/><category term="neoliberalism"/><category term="neofeudalism"/><category term="kenoma"/><category term="the others"/></entry><entry><title>Capitalist Kenoma</title><link href="https://sublunar.space/2025-07-capitalist-kenoma.html" rel="alternate"/><published>2025-07-31T18:00:00+02:00</published><updated>2025-07-31T18:00:00+02:00</updated><author><name>T. F.</name></author><id>tag:sublunar.space,2025-07-31:/2025-07-capitalist-kenoma.html</id><summary type="html">&lt;p&gt;&lt;em&gt;Part one of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;h1 id="acid-chthomunism"&gt;#acid-chthomunism&lt;/h1&gt;
&lt;p&gt;In the midst of the &lt;a href="/2021-05-covid-circumnavigation.html"&gt;raging pandemic&lt;/a&gt; in the spring of 2021, I …&lt;/p&gt;</summary><content type="html">&lt;p&gt;&lt;em&gt;Part one of a hazy and mazy philosophical dungeon crawl about progressive but haunted political theory and praxis and bottom-up process ontologies for the End Times that emerged out of conversations with The Others on Discord.&lt;/em&gt;&lt;/p&gt;
&lt;h1 id="acid-chthomunism"&gt;#acid-chthomunism&lt;/h1&gt;
&lt;p&gt;In the midst of the &lt;a href="/2021-05-covid-circumnavigation.html"&gt;raging pandemic&lt;/a&gt; in the spring of 2021, I had just finished reading two of &lt;em&gt;Mark Fisher&lt;/em&gt;'s books. At the time his harsh critique of life under &lt;em&gt;capitalism&lt;/em&gt; struck me not only as depressingly &lt;em&gt;pessimistic&lt;/em&gt;, but as too &lt;em&gt;overcredited&lt;/em&gt; and &lt;em&gt;reified&lt;/em&gt;, as I witnessed this very system begin to crumble under a &lt;em&gt;viral insurrection&lt;/em&gt; that exposed the fragile &lt;em&gt;fiction of normalcy&lt;/em&gt; we had all taken for granted.&lt;/p&gt;
&lt;p&gt;I shared my thoughts with my fellow weirdos in the well-guarded Discord sanctuary known as &lt;em&gt;The Others&lt;/em&gt;, where we discussed how the &lt;em&gt;materialist mindset&lt;/em&gt; so dominant on the Left leaves little room for the kind of transcendental experiences needed to &lt;em&gt;escape&lt;/em&gt; a worldview obsessed with being trapped in reality.&lt;/p&gt;
&lt;p&gt;This led to the creation of a dedicated channel to continue our conversation about the potentials of &lt;em&gt;progressive occultism&lt;/em&gt;, &lt;em&gt;post-colonial&lt;/em&gt; forms of spirituality, and more &lt;em&gt;earthly&lt;/em&gt;, &lt;em&gt;emancipatory&lt;/em&gt; rites of magic for these &lt;em&gt;end times&lt;/em&gt; of &lt;em&gt;perpetual crisis&lt;/em&gt;, &lt;em&gt;climate change&lt;/em&gt;, and &lt;em&gt;fading empire&lt;/em&gt;. As a chthonic nod to Mark Fisher's concept of '&lt;em&gt;Acid Communism&lt;/em&gt;', I named the channel &lt;em&gt;#acid-chthomunism&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Four years on, I'm finally carving out some time to &lt;em&gt;distill&lt;/em&gt; our collective &lt;em&gt;vibe&lt;/em&gt; into a series of magical‑realist &lt;em&gt;political essays&lt;/em&gt;, probably with some segways into &lt;em&gt;metaphysics&lt;/em&gt;. Not because I've suddenly found extra hours in the day, but because the growing &lt;em&gt;urgency&lt;/em&gt; to counter this insane &lt;em&gt;mind virus&lt;/em&gt; of an &lt;em&gt;accelerationist&lt;/em&gt;, AI‑driven post‑truth &lt;em&gt;dystopia&lt;/em&gt; that has emerged from the rubble of the pandemic's rift in our timeline.&lt;/p&gt;
&lt;p&gt;My gratitude goes out to &lt;em&gt;The Others&lt;/em&gt;, especially &lt;a href="https://x.com/orgone1"&gt;Dan&lt;/a&gt; and &lt;a href="https://www.themadhabitatter.com/"&gt;Ed&lt;/a&gt;, for their ongoing valuable input and engagement.&lt;/p&gt;
&lt;p&gt;Before we begin our &lt;em&gt;dungeon crawl&lt;/em&gt; let's tie the &lt;em&gt;red thread&lt;/em&gt; to what had started our conversations in the first place: Mark Fisher's magnum opus "Capitalist Realism" and his hope for "Acid Communism."&lt;/p&gt;
&lt;h2 id="capitalist-kenoma"&gt;Capitalist Kenoma&lt;/h2&gt;
&lt;p&gt;Mark Fisher was a British cultural theorist and critic, best known for his blog &lt;a href="http://k-punk.abstractdynamics.org/"&gt;k‑punk&lt;/a&gt;, unequaled in his poignant rhetoric and commentary on neoliberalism's hollow promises and culture under late capitalism. He was part of the infmaous &lt;em&gt;CCRU&lt;/em&gt;&lt;sup id="fnref:ccru"&gt;&lt;a class="footnote-ref" href="#fn:ccru"&gt;1&lt;/a&gt;&lt;/sup&gt; and gained a reputation for linking topics from rave culture to corporate bureaucracy with reflections on depression and mental health.&lt;/p&gt;
&lt;p&gt;In his magnum opus &lt;em&gt;Capitalist Realism: Is There No Alternative?&lt;/em&gt;&lt;sup id="fnref:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;2&lt;/a&gt;&lt;/sup&gt;, that was kind of a defining text for a disillusioned Millennial generation, Fisher coined the term "&lt;em&gt;capitalist realism"&lt;/em&gt; to describe the pervasive belief that capitalism is not merely the &lt;em&gt;dominant economic system&lt;/em&gt; but "&lt;em&gt;seamlessly occupies the horizons of the thinkable&lt;/em&gt;". Drawing on Soviet "socialist realism"&lt;sup id="fnref:socreal"&gt;&lt;a class="footnote-ref" href="#fn:socreal"&gt;3&lt;/a&gt;&lt;/sup&gt; he articulates the ambient depression and sense of impossibility that marked the post-2008 cultural and political landscape. Fisher shows that at its core Capitalism operates by exorcising "&lt;em&gt;the spectre of a world which could be free&lt;/em&gt;"&lt;sup id="fnref:intro"&gt;&lt;a class="footnote-ref" href="#fn:intro"&gt;4&lt;/a&gt;&lt;/sup&gt;, by erasing the very conditions that might make alternatives conceivable. He also lays out in painful details how market logic reshapes everything from education, healthcare, and culture.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;The call center experience distils the political phenomenology of late capitalism: the boredom and frustration punctuated by cheerily piped PR, the repeating of the same dreary details many times to different poorly trained and badly informed operatives, the building rage that must remain impotent because it can have no legitimate object, since – as is very quickly clear to the caller –there is no-one who knows, and no-one who could do anything even if they could. [...] In this experience of a system that is unresponsive, impersonal, centerless, abstract and fragmentary, you are as close as you can be to confronting the artificial stupidity of Capital in itself.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&lt;img alt="St. Fisher" src="/assets/images/stfisher.jpg" title="Icon of Saint Fisher" /&gt;&lt;/p&gt;
&lt;p&gt;Fisher's harrowing diagnosis of a capitalist reality so &lt;em&gt;totalizing&lt;/em&gt; that it shapes our perception and enforces conformity makes it seem like an almost &lt;em&gt;metaphysical condition&lt;/em&gt;. It is strikingly reminiscent of how &lt;em&gt;Gnostic&lt;/em&gt; myths describe the world as a false and flawed &lt;em&gt;prison matrix&lt;/em&gt; ruled by an evil &lt;em&gt;Demiurge&lt;/em&gt;&lt;sup id="fnref:demiurge"&gt;&lt;a class="footnote-ref" href="#fn:demiurge"&gt;5&lt;/a&gt;&lt;/sup&gt; and his &lt;em&gt;Archons&lt;/em&gt;&lt;sup id="fnref:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;6&lt;/a&gt;&lt;/sup&gt;. Although Fisher never explicitly invokes Gnosticism, the structural parallels struck me enough to run with this trope and dare a closer comparison.&lt;/p&gt;
&lt;p&gt;Just as the Gnostics saw no way out of the material cosmos without salvation, the common contemporary sentiment that "&lt;em&gt;there is no alternative&lt;/em&gt;" feels like an &lt;em&gt;Archonic&lt;/em&gt;&lt;sup id="fnref2:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;6&lt;/a&gt;&lt;/sup&gt; &lt;em&gt;decree&lt;/em&gt;, closing off our political imagination before it can even begin. By pathologizing systemic injustice as individual failure, capitalism conceals the collective roots of our suffering, just as Archons&lt;sup id="fnref3:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;6&lt;/a&gt;&lt;/sup&gt; in &lt;em&gt;Manichaean&lt;/em&gt;&lt;sup id="fnref:mani"&gt;&lt;a class="footnote-ref" href="#fn:mani"&gt;7&lt;/a&gt;&lt;/sup&gt; or &lt;em&gt;Sethian&lt;/em&gt;&lt;sup id="fnref:sethian"&gt;&lt;a class="footnote-ref" href="#fn:sethian"&gt;8&lt;/a&gt;&lt;/sup&gt; narratives insist that the &lt;em&gt;soul's entrapment&lt;/em&gt; is &lt;em&gt;inevitable&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;In the realm of culture, Fisher draws attention to the &lt;em&gt;collapse&lt;/em&gt; of &lt;em&gt;genuine novelty&lt;/em&gt; into &lt;em&gt;endless pastiche&lt;/em&gt; and ironic &lt;em&gt;detachment&lt;/em&gt;. Corporate pop, blockbuster cinema, and hip start‑up aesthetics all recycle the same safe tropes, offering the &lt;em&gt;illusion of choice&lt;/em&gt; while reinforcing a single marketable worldview. &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Witness, for instance, the establishment of settled "alternative" or "independent" cultural zones, which endlessly repeat older gestures of rebellion and contestation as if for the first time. "Alternative" and "independent" don't designate something outside mainstream culture; rather, they are styles, in fact the dominant styles, within the mainstream.&lt;sup id="fnref3:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;2&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;This mirrors the Gnostic notion that Archons&lt;sup id="fnref4:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;6&lt;/a&gt;&lt;/sup&gt; can &lt;em&gt;simulate transcendence&lt;/em&gt;, pseudo‑visions of freedom that ultimately serve the Demiurge's&lt;sup id="fnref2:demiurge"&gt;&lt;a class="footnote-ref" href="#fn:demiurge"&gt;5&lt;/a&gt;&lt;/sup&gt; ends.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Yaldabaoth" src="/assets/images/yaldabaoth.jpg" title="Gnostic Illustration of the Demiurge and animals" /&gt;&lt;/p&gt;
&lt;p&gt;The &lt;em&gt;reification&lt;/em&gt; of capitalism as an all‑encompassing, omnipotent, &lt;em&gt;godlike force&lt;/em&gt; does feel Gnostic. Yet, unlike the ancient Gnostics, who developed coherent methods of &lt;em&gt;spiritual liberation&lt;/em&gt;, thinkers such as &lt;em&gt;Mark Fisher&lt;/em&gt; and others in the influential &lt;em&gt;Freudo‑Lacanian‑Marxist&lt;/em&gt; lineage&lt;sup id="fnref:freudomarx"&gt;&lt;a class="footnote-ref" href="#fn:freudomarx"&gt;9&lt;/a&gt;&lt;/sup&gt; adopt an obsessively &lt;em&gt;materialist&lt;/em&gt;, &lt;em&gt;psychoanalytic&lt;/em&gt; approach to the relationship between &lt;em&gt;humanity&lt;/em&gt; and &lt;em&gt;capitalism&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;This trope is also present in Guy Debord's "&lt;em&gt;Spectacle&lt;/em&gt;"&lt;sup id="fnref:spectacle"&gt;&lt;a class="footnote-ref" href="#fn:spectacle"&gt;10&lt;/a&gt;&lt;/sup&gt;, Hardt/Negri's&lt;sup id="fnref:negri"&gt;&lt;a class="footnote-ref" href="#fn:negri"&gt;11&lt;/a&gt;&lt;/sup&gt; as well as Tiqqun's&lt;sup id="fnref:tiqqun"&gt;&lt;a class="footnote-ref" href="#fn:tiqqun"&gt;12&lt;/a&gt;&lt;/sup&gt; "&lt;em&gt;Empire&lt;/em&gt;", and Mumford&lt;sup id="fnref:mumford"&gt;&lt;a class="footnote-ref" href="#fn:mumford"&gt;13&lt;/a&gt;&lt;/sup&gt; or Latouche's&lt;sup id="fnref:latouche"&gt;&lt;a class="footnote-ref" href="#fn:latouche"&gt;14&lt;/a&gt;&lt;/sup&gt; "&lt;em&gt;Megamachine&lt;/em&gt;". Despite their claims of rational and &lt;em&gt;materialist&lt;/em&gt; theory and praxis many of their analyses seem very much like &lt;em&gt;religious eschatology&lt;/em&gt;, minus the &lt;em&gt;salvation&lt;/em&gt;. Here an example from &lt;em&gt;Tiqqun&lt;/em&gt;:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Empire is the kind of domination that knows no Outside, that has gone so far as to sacrifice itself as the Same in order to rid itself of the Other. Empire excludes nothing, substantially; it only precludes that anything present itself as &lt;em&gt;other&lt;/em&gt;, that anything escape the general equivalence. &lt;sup id="fnref:tiq"&gt;&lt;a class="footnote-ref" href="#fn:tiq"&gt;25&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Like his comrades in spirit Mark Fisher certainly put his finger into the collective wound of &lt;em&gt;alienation&lt;/em&gt; and nostalgic longing for a &lt;em&gt;lost past&lt;/em&gt; or &lt;em&gt;unattainable future&lt;/em&gt; that haunts everyone who has been on similar trains of thoughts. There is a kind of &lt;em&gt;romance&lt;/em&gt; attributed to the &lt;em&gt;politization of despair&lt;/em&gt; and the affect of seeing things "&lt;em&gt;how they really are&lt;/em&gt;".&lt;/p&gt;
&lt;p&gt;The skeptical stance of metacognitively observing "&lt;em&gt;the big picture&lt;/em&gt;" can be an quite seductive aesthetic but it would be negligent to ignore fact that it is also a &lt;em&gt;symptom of depression&lt;/em&gt;. There is a danger in the reification of estrangement both individual and collective because it mutates into a &lt;em&gt;demonic thoughtform&lt;/em&gt; that pulls its host into a &lt;em&gt;downward spiral&lt;/em&gt;. In Gnostic cosmology as in Capitalist Realism the imagined and lived doom and gloom narratives become more and more &lt;em&gt;real&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;It is tragically ironic because it was the &lt;em&gt;CCRU&lt;/em&gt;&lt;sup id="fnref2:ccru"&gt;&lt;a class="footnote-ref" href="#fn:ccru"&gt;1&lt;/a&gt;&lt;/sup&gt; itself that introduced the term "&lt;em&gt;hyperstition&lt;/em&gt;"&lt;sup id="fnref:hyper"&gt;&lt;a class="footnote-ref" href="#fn:hyper"&gt;15&lt;/a&gt;&lt;/sup&gt;, showing how &lt;em&gt;fictional narratives&lt;/em&gt; infiltrate and reshape actual &lt;em&gt;reality&lt;/em&gt;: invented names, stories, or rumors become treated as if they were real, and in doing so exert tangible influence.&lt;/p&gt;
&lt;p&gt;Ultimately Fisher's work "&lt;em&gt;Capitalist Realism&lt;/em&gt;" seeks to reveal the systemic flaws of capitalism, and it does so in very eloquent and captivating ways, but it also operates as &lt;em&gt;catalyst&lt;/em&gt; of the hyperstition it seeks to counteract: by mythologizing capitalism it naturalizes and &lt;em&gt;reinforces&lt;/em&gt; its grip on our &lt;em&gt;collective imagination&lt;/em&gt;.&lt;/p&gt;
&lt;h2 id="towards-pleroma"&gt;Towards Pleroma&lt;/h2&gt;
&lt;p&gt;To follow our thread, let's take &lt;em&gt;Capitalist Realism&lt;/em&gt; a bit further and continue to map its central thesis onto the &lt;em&gt;Archonic&lt;/em&gt;&lt;sup id="fnref5:archons"&gt;&lt;a class="footnote-ref" href="#fn:archons"&gt;6&lt;/a&gt;&lt;/sup&gt; &lt;em&gt;prison&lt;/em&gt; structure from &lt;em&gt;Gnostic&lt;/em&gt; myth. This confronts us with the question of how to actually attain &lt;em&gt;liberation&lt;/em&gt; and &lt;em&gt;gnosis&lt;/em&gt;&lt;sup id="fnref:gnosis"&gt;&lt;a class="footnote-ref" href="#fn:gnosis"&gt;16&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;In &lt;em&gt;Capitalist Realism&lt;/em&gt; Fisher establishes a &lt;em&gt;secular&lt;/em&gt; version of &lt;em&gt;Gnosis&lt;/em&gt;&lt;sup id="fnref2:gnosis"&gt;&lt;a class="footnote-ref" href="#fn:gnosis"&gt;16&lt;/a&gt;&lt;/sup&gt;: &lt;em&gt;collective critique&lt;/em&gt; and &lt;em&gt;experimentation&lt;/em&gt;, building &lt;em&gt;communal practices&lt;/em&gt; to dissolve the capitalist frame and reviving forgotten &lt;em&gt;languages&lt;/em&gt; of &lt;em&gt;solidarity&lt;/em&gt; and &lt;em&gt;care&lt;/em&gt;.&lt;sup id="fnref2:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;2&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;Where &lt;em&gt;Gnosticism&lt;/em&gt; offers the promise of &lt;em&gt;salvation&lt;/em&gt; through &lt;em&gt;mystical insight&lt;/em&gt; and the guidance of a &lt;em&gt;revealer&lt;/em&gt; like &lt;em&gt;Sophia&lt;/em&gt;&lt;sup id="fnref:sophia"&gt;&lt;a class="footnote-ref" href="#fn:sophia"&gt;17&lt;/a&gt;&lt;/sup&gt; or &lt;em&gt;Christ&lt;/em&gt;, Fisher posits a &lt;em&gt;hyperstitional meme&lt;/em&gt;: despite reservations about the wording he dubs it "&lt;em&gt;Acid Communism&lt;/em&gt;."&lt;sup id="fnref2:intro"&gt;&lt;a class="footnote-ref" href="#fn:intro"&gt;4&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;If we are no longer to define ourselves negatively, by our opposition to Capital, what will be the name of our positive project? I don't believe that the old signifier communism can be revived for this purpose. It is now irretrievably tainted by terrible associations, forever tied to the nightmares of the 20th century. At the moment, our desire is nameless – but it is real. Our desire is for the future – for an escape from the impasses of the flatlands of Capital's endless repetitions – and it comes from the future – from the very future in which new perceptions, desires, cognitions are once again possible. As yet, we can grasp this future only in glimmers. But it is for us to construct this future, even as – at another level – it is already constructing us: a new kind of collective agent, a new possibility of speaking in the first person plural. At some point in this process, the name for our new desire will appear and we will recognize it.&lt;sup id="fnref:euro"&gt;&lt;a class="footnote-ref" href="#fn:euro"&gt;26&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;It's heartbreaking that Fisher's own lost battle with &lt;em&gt;depression&lt;/em&gt; prevented him from fully bringing this idea to life before his &lt;em&gt;premature passing&lt;/em&gt; in 2017. Judging from his late fragments&lt;sup id="fnref3:intro"&gt;&lt;a class="footnote-ref" href="#fn:intro"&gt;4&lt;/a&gt;&lt;/sup&gt;, drafts, and lectures&lt;sup id="fnref:postcap"&gt;&lt;a class="footnote-ref" href="#fn:postcap"&gt;18&lt;/a&gt;&lt;/sup&gt; it becomes clear that his vision was to recover a &lt;em&gt;revolutionary potential&lt;/em&gt; from the countercultural experiments of the &lt;em&gt;1960s&lt;/em&gt; and &lt;em&gt;1970s&lt;/em&gt;, an era fundamentally characterized by &lt;em&gt;collective joy&lt;/em&gt;, &lt;em&gt;communal experiences&lt;/em&gt;, and a belief in the possibility of radical &lt;em&gt;social transformation&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;For Fisher, the &lt;em&gt;acid&lt;/em&gt; in Acid Communism is not merely a nod to &lt;em&gt;psychedelics&lt;/em&gt;, but a shorthand for any experience or cultural form that &lt;em&gt;dissolves the barriers&lt;/em&gt; imposed by commodified individualism and points toward a more fully social existence.&lt;/p&gt;
&lt;p&gt;In his brilliant commentary&lt;sup id="fnref:notes"&gt;&lt;a class="footnote-ref" href="#fn:notes"&gt;19&lt;/a&gt;&lt;/sup&gt; on &lt;em&gt;Acid Communism&lt;/em&gt; Dr Gregory Marks writes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Acid Communism unites weird experience with collective becoming, to shatter the old forms of perception and cognition and bring about something other. We cannot expect to go through this process unchanged. The collective desire of Acid Communism transforms the very sense of time and space upon which our atomised and alienated selves are predicated. Yet there is a joy in dissolving into this new mass becoming, which destroys the categories that previously bound us.&lt;sup id="fnref2:notes"&gt;&lt;a class="footnote-ref" href="#fn:notes"&gt;19&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Even when "&lt;em&gt;the weird&lt;/em&gt;" is brought into the conversation it is striking how oddly "&lt;em&gt;unhaunted&lt;/em&gt;" Acid Communism is. It really feels like there is a longing for some transformative &lt;em&gt;high strangeness&lt;/em&gt; while being stuck in a &lt;em&gt;materialist mindset&lt;/em&gt; where the only way to conceptualize the &lt;em&gt;numinous&lt;/em&gt; is through the &lt;em&gt;psychedelic&lt;/em&gt; lense. I know because I've been there myself most of my life.&lt;/p&gt;
&lt;p&gt;&lt;img alt="Psychedelic" src="/assets/images/communism.jpg" title="Acid Communism" /&gt;&lt;/p&gt;
&lt;p&gt;The part in his book where Fisher comes closest to the notion of &lt;em&gt;metaphysical&lt;/em&gt; gnosis is when he invokes &lt;em&gt;Lacan&lt;/em&gt;: &lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;For Lacan, the Real is what any "reality" must suppress; indeed, reality constitutes itself through just this repression. The Real is an unrepresentable X, a traumatic void that can only be glimpsed in the fractures and inconsistencies in the field of apparent reality. So one strategy against capitalist realism could involve invoking the Real(s) underlying the reality that capitalism presents to us.&lt;sup id="fnref4:capreal"&gt;&lt;a class="footnote-ref" href="#fn:capreal"&gt;2&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;Based on Lacan's &lt;em&gt;Real&lt;/em&gt;&lt;sup id="fnref:real"&gt;&lt;a class="footnote-ref" href="#fn:real"&gt;20&lt;/a&gt;&lt;/sup&gt; and also Kant's notion of the &lt;em&gt;Noumenon&lt;/em&gt;&lt;sup id="fnref:noumenon"&gt;&lt;a class="footnote-ref" href="#fn:noumenon"&gt;21&lt;/a&gt;&lt;/sup&gt; the &lt;em&gt;CCRU&lt;/em&gt;&lt;sup id="fnref3:ccru"&gt;&lt;a class="footnote-ref" href="#fn:ccru"&gt;1&lt;/a&gt;&lt;/sup&gt; established the term "&lt;em&gt;Outside&lt;/em&gt;" in many of their works to describe the unknowable &lt;em&gt;ontic reality&lt;/em&gt; beyond what human intellect can grasp with its &lt;em&gt;psychophysiological&lt;/em&gt; and &lt;em&gt;epistemological&lt;/em&gt; faculties of knowledge.&lt;/p&gt;
&lt;p&gt;In Gnostic cosmology the incomplete and false material world is usually referred to as the '&lt;em&gt;kenoma&lt;/em&gt;'&lt;sup id="fnref:kenoma"&gt;&lt;a class="footnote-ref" href="#fn:kenoma"&gt;22&lt;/a&gt;&lt;/sup&gt;, while the complete and true world of abundance from which we are separated is called '&lt;em&gt;pleroma&lt;/em&gt;'&lt;sup id="fnref:pleroma"&gt;&lt;a class="footnote-ref" href="#fn:pleroma"&gt;23&lt;/a&gt;&lt;/sup&gt;.&lt;/p&gt;
&lt;p&gt;The enigmatic &lt;em&gt;lure&lt;/em&gt; and &lt;em&gt;hopeful&lt;/em&gt; ambiguity of &lt;em&gt;Acid Communism&lt;/em&gt; as a &lt;em&gt;hyperstitional thoughtform&lt;/em&gt; is a powerful &lt;em&gt;magical tool&lt;/em&gt;. I do like the emotions and the ideas the term evokes and I love its &lt;em&gt;experimental approach&lt;/em&gt; to "&lt;em&gt;consciousness raising&lt;/em&gt;"&lt;sup id="fnref:conrai"&gt;&lt;a class="footnote-ref" href="#fn:conrai"&gt;24&lt;/a&gt;&lt;/sup&gt; as a tool to map out the &lt;em&gt;Capitalist Kenoma&lt;/em&gt; from the inside in order to imagine a &lt;em&gt;Pleromatic Outside&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;But I have &lt;em&gt;doubts&lt;/em&gt; about its proposed implementation...&lt;/p&gt;
&lt;p&gt;An &lt;em&gt;Acid Communist Praxis&lt;/em&gt; as imagined by Fisher and his adherents &lt;em&gt;might&lt;/em&gt; admittedly have had a small chance of pushing towards Pleroma in the era &lt;em&gt;before the pandemic&lt;/em&gt;. &lt;/p&gt;
&lt;p&gt;As might have the idea of just &lt;em&gt;ridiculing&lt;/em&gt; the paranoid neo‑Gnosticism of Capitalist Realism as &lt;em&gt;pessimistic hyperbole&lt;/em&gt; like we did &lt;em&gt;during the pandemic&lt;/em&gt;. &lt;/p&gt;
&lt;p&gt;&lt;em&gt;But times have changed dramatically&lt;/em&gt;...&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;em&gt;...&lt;a href="/2025-08-outside-attractor.html"&gt;continue with the next part&lt;/a&gt;, in which we will pull the red thread beyond the neoliberal kenoma, through digital acceleration and hypostitional collapse toward the pull of the Outside Attractor.&lt;/em&gt;&lt;/p&gt;
&lt;div class="footnote"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li id="fn:ccru"&gt;
&lt;p&gt;The Cybernetic Culture Research Unit (CCRU) was an experimental collective of theorists and artists at the University of Warwick associated with figures such as Sadie Plant, Nick Land, Mark Fisher, or Reza Negarestani who explored cybernetics, philosophy, science fiction, rave culture, internet culture, and occultism. They produced an impressive body of work that blurred the boundaries between theory and fiction.&amp;#160;&lt;a class="footnote-backref" href="#fnref:ccru" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:ccru" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:ccru" title="Jump back to footnote 1 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:capreal"&gt;
&lt;p&gt;Fisher, Mark. Capitalist realism: Is there no alternative?. zer0 classics, CollectiveInk, 2022. &lt;a href="https://www.collectiveinkbooks.com/zer0-books/our-books/capitalist-realism-new-edition"&gt;Publisher Link&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:capreal" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:capreal" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:capreal" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref4:capreal" title="Jump back to footnote 2 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:socreal"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Socialist_realism"&gt;Wikipedia: Socialist Realism&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:socreal" title="Jump back to footnote 3 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:intro"&gt;
&lt;p&gt;&lt;a href="https://my-blackout.com/2019/04/25/mark-fisher-acid-communism-unfinished-introduction/"&gt;Mark Fisher | Acid Communism (Unfinished Introduction)&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:intro" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:intro" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:intro" title="Jump back to footnote 4 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:demiurge"&gt;
&lt;p&gt;The demiurge (Greek demiurgos, “craftsman”) is the being who created the world in Gnosticism. The Gnostics identified him with the god of the Old Testament. The Gnostic scriptures portray him as ignorant, malicious, and utterly inferior to the true God who sent Christ to earth to save humankind from the demiurge’s evil world. &lt;a href="https://gnosticismexplained.org/the-gnostic-demiurge/"&gt;
The Gnostic Demiurge, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:demiurge" title="Jump back to footnote 5 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:demiurge" title="Jump back to footnote 5 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:archons"&gt;
&lt;p&gt;In Gnosticism, the archons (from Greek arkhon, “ruler”[1]) were malevolent, sadistic beings who controlled the earth, as well as many of the thoughts, feelings, and actions of humans. They assisted their master, the demiurge, with the creation of the world, and continued to help him administer his oppressive rule. &lt;a href="https://gnosticismexplained.org/archons/"&gt;
The Gnostic Demiurge, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:archons" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:archons" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref3:archons" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref4:archons" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref5:archons" title="Jump back to footnote 6 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:mani"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Manichaeism"&gt;Wikipedia: Manichaeism&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:mani" title="Jump back to footnote 7 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:sethian"&gt;
&lt;p&gt;&lt;a href="https://gnosticismexplained.org/the-classic-gnostics-sethians/"&gt;The Classic Gnostics ("Sethians"), Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:sethian" title="Jump back to footnote 8 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:freudomarx"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Freudo-Marxism"&gt;Wikipedia: Freudo-Marxism&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:freudomarx" title="Jump back to footnote 9 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:spectacle"&gt;
&lt;p&gt;Guy Debord, Society of the Spectacle, 1967, &lt;a href="https://www.marxists.org/reference/archive/debord/society.htm"&gt;Full Text on marxists.org&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:spectacle" title="Jump back to footnote 10 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:negri"&gt;
&lt;p&gt;Hardt, Michael, and Antonio Negri. Empire. Harvard University Press, 2001.&amp;#160;&lt;a class="footnote-backref" href="#fnref:negri" title="Jump back to footnote 11 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:tiqqun"&gt;
&lt;p&gt;Tiqqun, The Cybernetic Hypothesis. Vol. 28. MIT Press, 2020.&amp;#160;&lt;a class="footnote-backref" href="#fnref:tiqqun" title="Jump back to footnote 12 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:mumford"&gt;
&lt;p&gt;Mumford, Lewis. "The first megamachine." Diogenes 14.55 (1966): 1-15.&amp;#160;&lt;a class="footnote-backref" href="#fnref:mumford" title="Jump back to footnote 13 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:latouche"&gt;
&lt;p&gt;Latouche, Serge. "La société moderne face au défi technologique: la mégamachine et le destin." ETUDES INTERNATIONALES-QUEBEC- 29 (1998): 669-682.&amp;#160;&lt;a class="footnote-backref" href="#fnref:latouche" title="Jump back to footnote 14 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:hyper"&gt;
&lt;p&gt;&lt;a href="https://www.orphandriftarchive.com/articles/hyperstition/"&gt;Delphi Carstens, Hyperstition, 0(rphan)d(rift&amp;gt;) archive, 2010&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:hyper" title="Jump back to footnote 15 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:gnosis"&gt;
&lt;p&gt;“Gnosis” is a special, mystical kind of knowledge to which the Gnostics claimed to have privileged access. &lt;a href="https://gnosticismexplained.org/gnosis/"&gt;Gnosis, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:gnosis" title="Jump back to footnote 16 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:gnosis" title="Jump back to footnote 16 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:sophia"&gt;
&lt;p&gt;&lt;a href="https://gnosticismexplained.org/sophia/"&gt;Sophia, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:sophia" title="Jump back to footnote 17 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:postcap"&gt;
&lt;p&gt;Mark Fisher, Matt Colquhoun, Postcapitalist Desire: The Final Lectures, Repeater Books, 2021 &lt;a href="https://repeaterbooks.com/product/postcapitalist-desire-the-final-lectures/"&gt;Publisher Page&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:postcap" title="Jump back to footnote 18 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:notes"&gt;
&lt;p&gt;&lt;a href="https://thewastedworld.wordpress.com/2018/12/16/notes-on-acid-communism/"&gt;More Than This: Notes on Acid Communism, The Wasted World, December 16, 2018&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:notes" title="Jump back to footnote 19 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;a class="footnote-backref" href="#fnref2:notes" title="Jump back to footnote 19 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:real"&gt;
&lt;p&gt;&lt;a href="https://nosubject.com/Jacques_Lacan:Real"&gt;Jacques Lacan: Real, No Subject - an encyclopedia of Lacanian psychoanalysis&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:real" title="Jump back to footnote 20 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:noumenon"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Noumenon"&gt;Wikipedia: Noumenon&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:noumenon" title="Jump back to footnote 21 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:kenoma"&gt;
&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Kenoma"&gt;Wikipedia: Kenoma&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:kenoma" title="Jump back to footnote 22 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:pleroma"&gt;
&lt;p&gt;Pleroma, Greek for “Fullness”, is the name the Gnostics gave to Heaven. &lt;a href="https://gnosticismexplained.org/the-pleroma-and-the-aeons/"&gt;The Pleroma and the Aeons, Gnosticism Explained&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:pleroma" title="Jump back to footnote 23 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:conrai"&gt;
&lt;p&gt;Consciousness-Raising is a tool of the Women’s Liberation Movement and is sometimes called “telling it like it is.” In C-R, women answer a question using examples from their personal lives, then the group uses these personal testimonies to draw conclusions about the political root of women’s so-called “personal” problems. &lt;a href="https://womensliberation.org/priorities/feminist-consciousness-raising/"&gt;Source&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:conrai" title="Jump back to footnote 24 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:tiq"&gt;
&lt;p&gt;Tiqqun, This Is Not a Program, pg. 37, Semiotext(e), 2011&amp;#160;&lt;a class="footnote-backref" href="#fnref:tiq" title="Jump back to footnote 25 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id="fn:euro"&gt;
&lt;p&gt;Mark Fisher, For now, our desire is nameless, The European, May 20th 2014, &lt;a href="https://web.archive.org/web/20150717190458/http://www.theeuropean-magazine.com:80/mark-fisher--2/8480-is-there-an-alternative-to-capitalism"&gt;Web Archive&lt;/a&gt;&amp;#160;&lt;a class="footnote-backref" href="#fnref:euro" title="Jump back to footnote 26 in the text"&gt;&amp;#8617;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;</content><category term="Theory"/><category term="hypogearchy"/><category term="capitalism"/><category term="mark fisher"/><category term="ccru"/><category term="gnostic"/><category term="neoliberalism"/><category term="archon"/><category term="pleroma"/><category term="kenoma"/><category term="the others"/></entry></feed>